REVIEW: Oscar Hernández & Alma Libre’s ‘Visión’ – JazzTimes

January 28, 2022

by David Whiteis, JazzTimes “Oscar Hernández, longtime pianist, arranger, and musical director for Rubén Blades’ orchestra and founder/musical director of the Grammy-winning Spanish Harlem Orchestra, wears his prestige lightly. This is his third recording since 2017 with the quartet Alma Libre (augmented here, at various points, by trumpeter Aaron Janik, vibist Joe Locke, and hand-percussionist … Read More

REVIEW: Champian Fulton: Live from Lockdown (Self-released) – JazzTimes

October 27, 2021

By Morgan Enos, JazzTimes We know what you’re thinking: Oh, great, here come the pandemic albums. Those who didn’t merely dump their offerings on Bandcamp during the initial wave, the artists who actually paid for a publicist and a pressing plant, are just now putting out their quarantine music. But if any COVID releases endure, … Read More

REVIEW: The Baylor Project – Generations – JazzTimes

July 14, 2021

by Martin Johnson, JazzTimes “Just as the album effortlessly integrates guests and inspirations into the fold, the music flows freely between tempos and genres. There are plenty of ways to make an academic presentation about the core similarities of African-American musical styles, but Marcus and Jean Baylor have found a fun and captivating approach.” Read … Read More

Overdue Ovation: Lorne Lofsky Is Back on the International Radar – JazzTimes

June 21, 2021

By Allen Morrison, JazzTimes A funny thing happened to the Canadian jazz guitar master Lorne Lofsky as he walked down Mt. Pleasant Road in Toronto one day a little over 40 years ago, a thing that would lead the jazz piano titan Oscar Peterson to produce Lofsky’s first album. Read more here.     

REVIEW: Steven Feifke Big Band “Kinetic” – JazzTimes

May 27, 2021

By Philip. Booth, JazzTimes There’s nothing like a regular residency to hone the playing of a big band and give such an ensemble—always a challenge just to keep gigging—a chance to routinely introduce, air out, and tweak arrangements. Steven Feifke’s group benefited from just such an opportunity during nearly two years’ worth of monthly performances … Read More