Matt Ulery’s Woolgathering Records To Release Three Albums on October 16th

August 30, 2018

Matt Ulery’s Woolgathering Records To Release Three Albums on October 16th Matt Ulery: Sifting Stars Russ Johnson: Headlands Tim Haldeman: Open Water As A Child Chicago, IL — Woolgathering Records, directed by bassist/composer, Matt Ulery, is an independent label and direct-to-artist web store committed to releasing new, original art music.  The sounds from Woolgathering are … Read More

REVIEW: Russia’s Jazz Quad Reviews Kris Adams’ “We Should Have Danced”

August 30, 2018

Leonid Auskern, Jazz Quad Колледж Беркли – знаменитая на весь мир кузница джазовых кадров. Они встретились здесь в 1981 году, а через шесть лет поженились. Он был профессором, руководил программой по развитию музыкального слуха у студентов, считался прекрасным педагогом. Кроме того он сочинял музыку и стихи, делал аранжировки, играл на фортепьяно, пел. А еще он … Read More

Darren Barrett Marries Classic Ballads with Modern Sound Design on new album “Time For Romance: But Beautiful”, out 9.26

August 29, 2018

Darren Barrett Marries Classic Ballads with Modern Sound Design on new album Time For Romance: But Beautiful Due out September 26, 2018, db Studios Grammy-award winning trumpeter, composer and bandleader Darren Barrett is proud to announce the September 26 release of his long-awaited ballads project Time For Romance: But Beautiful. A follow up to last … Read More

HOT HOUSE FRESH TAKES: Henry Conerway III’s “With Pride For Dignity”

August 27, 2018

Nick Dunston, Hot House Detroit-born drummer Henry Conerway III has been fueling some of the most extraordinary voices on the New York jazz scene. An in-demand sideman, he’s been accompanying artists like Jazzmeia Horn, Marcus Printup and Freddy Cole; now he is preparing to release his debut record as a leader With Pride For Dignity. … Read More

REVIEW: Stereogum Reviews Charles Pillow’s “Electric Miles”

August 25, 2018

Phil Freeman, Stereogum Plenty of people have interpreted tunes from Miles Davis’s “electric period” (meaning his music from 1969-75; he continued to work with electric bands when he returned in 1981, and until his death) in the past, but they usually do it in a manner that sticks pretty close to the original. Conductor and … Read More

REVIEW: Songlines Reviews Itai Kriss’ “Telavana”

August 25, 2018

Nigel Williamson, Songlines An Israeli flautist catches the salsa bug in New York The flautist Itai Kriss grew up in Israel, where he absorbed an array of musical traditions from Morocco to the Balkans, and from Egypt to Russia. Fifteen years ago, he moved to New York in pursuit of a childhood dream to study … Read More

REVIEW: Latin Jazz Network Reviews Itai Kriss’ “Telavana”

August 24, 2018

Raul da Gama, Latin Jazz Network Itai Kriss together with Hadar Noiberg is one of New York’s worst-kept secrets. Both flutists wear their Middle Eastern heritage just as well as they blend into the New York contemporary music scene. Of the two Mr Kriss leans more towards the traditional antecedents of his music using ululating … Read More