By Kevin Whitehead, The Audio Beat
It can be hard to separate Dave Brubeck’s first excursion into playing odd meters, 1959’s celebrated Time Out, from how it was promoted: as if playing in 5/4 or 9/8 were rocket science. Read more here.
By Kevin Whitehead, The Audio Beat
It can be hard to separate Dave Brubeck’s first excursion into playing odd meters, 1959’s celebrated Time Out, from how it was promoted: as if playing in 5/4 or 9/8 were rocket science. Read more here.