By Kevin Whitehead, The Audio Beat It can be hard to separate Dave Brubeck’s first excursion into playing odd meters, 1959’s celebrated Time Out, from how it was promoted: as if playing in 5/4 or 9/8 were rocket science. Read more here. Share this:Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window)Click to share on Tumblr (Opens in new window)Click to email this to a friend (Opens in new window)Click to print (Opens in new window) Leave a Reply Cancel replyYour email address will not be published. Required fields are marked *Comment Name * Email * Website Notify me of follow-up comments by email. Notify me of new posts by email.