By J.D Considine, DownBeat 

Typically, when we think of eco-conscious music, what we imagine is built around acoustic instruments. To some extent, we can credit this to the Paul Winter Consort’s “Earth Music” albums of the late ’60s and early ’70s, which used saxophone, flute, English horn and cello to articulate the composer’s intent. Those instruments were deemed more “natural” than electric guitars or synthesizers, even though the saxophone is very much a product of the industrial revolution, while the recording process itself is both technologically intensive and far from green. Full review here.

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