The title refers to Levine’s heritage as the son of a Filipino another and Father of mixed Irish and Russian descent. Nowadays, the meaning in much of the United States is of mixed Spanish and American Indian. This music does not really have a political agenda per se (only what you wish to read into the title and a tune named “Opposing Forces“). Instead what you hear plus you in on the strength of the fine melodies and musical interactions. Green is a powerful drummer with the ability to create dancing rhythms (“Highways“) and kick-butt beats that roar out of the speakers (“Center of Gravity“). That latter tune finds Levine on electric bass where his thick sound and melodic lies benefit from the foundation the drummer creates. Also on that tune, Gold lays down a percussive line (along with the bassist) for Green create a forceful solo. Note how the piece shifts gears and volume levels several times in its 7:40 run. The title tune opens on a quieter note until the bass and drummer kick the piece in the direction of a serious groove. The guitarist holds back but soon is drawn into the rhythmic adventure. “Little Shells” finds Green using his hands to create the rhythms in the opening section of the tune (and adding rattles in the background). While the leader plays a sweet circular bass line, Green begins to prod the piece forward and Gold plays a lively melodic solo. The sound of the song may remind some of bassist Marc Johnson’s Bass Desires – no matter what, it’s a delightful summer groove.
There is a mature beauty to “The Best Things Never Change“, the melody expressed by the guitarist while the bassist plays the counterpoint and the drummer keeps a quiet rhythm on his high-hat. Levine solos first – he’s an articulate player and, if you listen closely, you’ll hear how the drummer plays along. The trio interaction is so impressive on this ballad, the music moves forward so easily as if the trio was breathing as one. The drum solo near the finish raises the heat level as if the trio was about to move into another song but does not obliterate the gentle mood.
I do enjoy the sounds of guitar-bass-drums trio: whether it be the overwhelming attack of Cream or the subtle approach of Jim Hall, the combination is one with so many possibilities. Evan Salvacion Levine makes music that makes us listen with expanded ears, with open minds, and one imagines it’s great to hear the trio live in a club setting. The word “Mestizo” refers to a mixture: the album “Mestizo” does just that, mixes influences and goes in many delightful directions.
For more information, go to www.evanlevinemusic.com.
The album will be released on October 5th – look for it by going to shiftingparadigmrecords.bandcamp.com/album/mestizo.
Here’s a quick teaser for the album: