By Rob Shepherd, PostGenre For over fifty years, Dave Liebman has been at the forefront of musical creativity. Whether his time as a sideman with artists including Miles Davis and Elvin Jones or his own works like Lookout Farm (ECM, 1973) or The Loneliness of a Long Distance Runner (CMP, 1986) or his various recordings … Read More
Rob Shepherd
REVIEW: Logan Richardson “Afrofuturism” – PostGenre
By Rob Shepherd, PostGenre Memorial day weekend 1921 started just like any other day in the Greenwood District of Tulsa, Oklahoma. One of the wealthiest communities in America, this segment of the city was such an economic powerhouse it would be dubbed “Black Wall Street.” By the end of the weekend, the prosperous region would … Read More
BEST OF 2020: Lakecia Benjamin “Pursuance: The Coltranes” – PostGenre
By Rob Shepherd, PostGenre Alice Coltrane’s blurring of historically Black American music, classical Indian concepts, atonal orchestration, and (sometimes) synthesizer has significantly guided the following generations, often subtly, including in jazz, New Age, and experimental electronic music. And yet, in most circles, she remains criminally underrated. Read more here.
REVIEW: The Regina Carter Freedom Band’s “Swing States: Harmony In The Battlegrounds” Reviewed on Post Genre
By Rob Shepherd, Post Genre American presidential campaigns are often very narrowly focused. One study showed that in the 2016 election a whopping ninety-four percent of events were held within twelve states with little, if any, attention paid to the remaining thirty-eight. The modern campaigning process often trades compassion among the populace for political power. … Read More
REVIEW: Michael Olatuja’s ‘ Lagos Pepper Soup’ – PostGenre
By Rob Shepherd, PostGenre It can be incredibly difficult to be creative at the culinary arts. Insufficient attention to detail or excessive or inordinate amounts of particular ingredients potentially create a bland or inedible product. Masterful creation requires a background on how to best use materials and a desire to mix them in the best … Read More
REVIEW: ‘Louis Armstrong Live In Europe’ reviewed by Nextbop
By Rob Shepherd, Nextbop As Nextbop prides itself on presenting jazz of the present moment and the future, at first glance it may appear unusual for the site to review music recorded over sixty years ago. However, when provided with their proper historical contexts, the two previously unreleased live performances captured on Louis Armstrong Live … Read More






