By: David Whiteis, JazzTimes If, as critic Larry Kart has postulated, jazz is a “form of self-enactment in sound,” then this “enactment” must become ambiguous, even contradictory, as the very concept of “self” in our culture becomes increasingly fluid and ineffable. Case in point: Stomping Off From Greenwood’s opener, “Metropolis,” which melds influences and identities … Read More
REVIEW: Greg Ward Presents Rogue Parade’s “Stomping Off From Greenwood” Reviewed by JazzTimes
