Live at Vitellos
Release date: March 19, 2021
Label: Sunnyside Records

Award-winning pianist Michael Wolff, known for an impressive and eclectic career that has spanned five decades, will release his latest recording Live at Vitellos on March 19th, 2021 with Sunnyside Records. Surfacing a decade after its recording at the iconic Los Angeles jazz club in 2011, Live at Vitellos captures a stirring snapshot of a stunning live performance – something that is so sorely missed during the COVID era. On Wolff’s 20th outing as a leader, the multifaceted trumpeter Mark Isham augments the stalwart rhythm section of long-time Wolff compatriots John B. Williams on bass and drummer Mike Clark. This warm live recording instantly transports listeners to a night of musical magic and intrigue over the course of seven spellbinding tracks.

Live at Vitellos showcases the dazzling chemistry between the exquisite Isham and the ever-lyrical Wolff as they perform this set in top form. Though Wolff and Isham’s friendship dates back to the 1970’s, this stint at Vitello’s marks their first official collaboration. “From the very beginning, Mark was always a beautiful player and a master of harmony,” reflected Wolff. “I knew one day we would do a project together.” That day finally came in the form of two nights in late August in 2011 at Vitello’s. Located in Studio City, Vitello’s is one  of Wolff’s favorite venues to play in the city. “I have always liked the intimacy and the sound of the room and the piano they had there at the time was extraordinary.”

Wolff enlisted his longtime bandmates for the hit: stalwart bassist John. B Williams and legendary drummer Mike Clark. It’s evident from the first note of Live at Vitellos that these players have a shared history; Clark and Wolff bonded during the 1970’s when they were touring with Cannonball Adderly and Herbie Hancock’s Headhunters, respectively. Since then, they’ve gone on to perform together in a variety of settings, live and recorded, and notably in Wolff’s jazz-world band Impure Thoughts. Similarly, Wolff and Williams’ relationship dates back to the same period, and they too have performed together often over the years – including in the Arsenio Hall Band, of which Wolff was famously the Musical Director of from 1989 through 1994. To help bring his vision to life, Wolff brought in the illustrious producer and composer Nic. tenBroek, whose credits include Nancy Wilson, Bobby McFerrin and Les McCann, among others, as well as the great Oscar-nominated sound engineer Dan Wallin.

In putting together the program, Wolff chose material that would best compliment the players and feature Isham’s beautiful and exciting trumpet playing. Live at Vitellos features four Wolff originals, two classic compositions by Wayne Shorter and another co-written by Clark and saxophonist Jed Levy. Live at Vitellos kicks off with “Ballad Noir”, a moody Wolff original that was written for The Tic Code (2000), a Gary Winick-directed film loosely based on Wolff’s life as a jazz pianist with Tourettes syndrome. This emotive opener sets the tone, giving the proceedings a noir overtone through Isham’s sensuous sound, and melodic approach to soloing. The energetic “Lagniappe” (named for the 13th treat of a baker’s dozen) comes next, and particularly showcases the fiery rhythm section with a burning solo from Clark. “The harmonic structure is all based on one pedal tone and allows us to change the color on a dime. We all listened to each other and let the music and spirit of the moment guide us,” said Wolff.

“Fall”, one of Wolff’s favorite Wayne Shorter compositions, comes next followed by the bluesy “Falling Down”, which features Isham and Wolff dancing over Williams’ rooted, funky bass line while Clark lays down one of his signature beats. Wolff and Isham’s experience in composing for film shines on “The Conversation”, a poignant ballad that would feel perfectly at home accompanying the silver screen. “I wrote this piece for a love scene between two people who are circling each other, finally realizing that they are meant to be together,” described Wolff.

Another Shorter tune comes next – the jazz bible staple “Nefertiti”. While all four musicians are intimately familiar with this piece, and have performed it in various settings,  this particular rendition rang special to Wolff, as the band had an opportunity to stretch, and breathe together here as a cohesive unit. The funky and fun “Loft Funk”, contributed by Clark, closes out the set on a high note.

In the album liner notes, producer Nic tenBroek reflects on the undeniable artistry displayed by these four musical titans, and the magic they created on two nights in Los Angeles a decade ago. “Modern day record producers often find themselves in the unfortunate position of hiring studio fixers and technology experts to make presentable records. This project required none of that. Simply putting 4 masters of the craft together on stage… and engaging a GRAMMY Award-winning recording engineer to capture it all over 2 musical nights of live performance was all that was required,” adding, “…the listener is included in improvisational music at its finest.”

GEORGE W. HARRIS
JAZZ WEEKLY
"Wolff is marvelous through the night, but the entire band is state of the art? How did I miss this gig? Boy, do I miss it nowadays!!!" Read this review here.

 

DAN BILAWSKY
ALL ABOUT JAZZ
"Michael Wolff and his bandmates take great pleasure in the art of deep listening and the act of engagement." Read this review here.

 

CHRIS SPECTOR
MIDWEST RECORD
"A moody live set from pals that took 40 years to finally record together, there's a smoky Hollywood after hours feel to it all, that feeling is real. Solid stuff from pros in the know." Review here.

JIM HYNES
MAKING A SCENE
"..The term 'warm' is as good a descriptor as any and the listener clearly hears the strong interplay in their improvisational solos and exchanges." Read the full review here.

JOSÉ RAMÓN
LA HABITACIÓN DEL JAZZ
La grabación, a pesar de tener diez años, suena fresca y actual. Como disco grabado en directo, tiene ese poder de la música en vivo, además de una excelente calidad de sonido.Un gran disco!! Para leer esta reseña presione aquí.

 

 

WULF MULLER
WULF'S MUSIC + BLOG
"Wolff and Isham are amazing soloists, backed and pushed forward by Williams and Clarke, a powerful rhythm section. A top live concert captured in perfect sound quality. Stunning!" Read the full post here. 

STEPHEN GRAHAM
MARLBANK
"What a fine album." Full review here.

JEFF KROW
AUDIOPHILE AUDITIONS
"Ten year old music never sounded so fresh." Read the full review here.

LEN WEINREICH
LONDON JAZZ NEWS
"Good news – like this album – is worth waiting for." Read this review here.

 

MATT MICUCCI
JAZZIZ
Michael Wolff, Live at Vitellos (Sunnyside): Award-winning pianist Michael Wolff’s 20th outing as a bandleader surfaces a decade after its original 2011 recording at Vitello’s, the iconic Los Angeles jazz club. Featuring seven spellbinding tracks, Live at Vitellos documents Wolff’s live concert alongside trumpeter/film composer Mark Isham, as well as a stalwart rhythm section with bassist John B. Williams and drummer Mike Clark. The album is due out on March 19 via Sunnyside. Read this article here.

 

DEE DEE MCNEIL
LA JAZZ SCENE
"Michael Wolff's work is standing ovation material." Full review here.

HECTOR MARTIN
CANCION QUEMARROPA
Full announcement here.

LANCE LIDDLE
BEBOP SPOKEN HERE
"The opening "Ballad Noir" lives up to its name, the most evocative trumpet (flugel?) playing that I've heard since Art Farmer's solo on Gerry Mulligan's Night Lights. The hairs stood up on the back of my neck. It was like watching Psycho the first time around. Eerie, but beautiful." Read the review here

THIERRY DOCMAC
PARIS MOVE
"Indispensable!" Read the rave review here

 
 

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