Live at Smalls
Release Date: July 5, 2024
Label: Cellar/SmallsLIVE
Live at Mezzrow is renowned jazz saxophonist and clarinetist Ken Peplowski's newest album and it features live performances from the man himself, alongside a stellar rhythm section at New York City’s famed Mezzrow Jazz Club. Live At Mezzrow is a testament to resilience, friendship, and the enduring power of jazz. Peplowski is celebrated for his work with a diverse array of artists including Charlie Byrd, Mel Torme, Hank Jones, Peggy Lee, Woody Allen, Benny Goodman, and Madonna. Nearly 50 years into his fruitful career, the prodigious Mr. Peplowski has released over 70 recordings as a soloist and close to 400 releases as a sideman. The bandleader is joined on this release by Ted Rosenthal on piano, Martin Wind on bass, and Willie Jones III on drums, delivering a captivating performance captured over two one-hour sets.
In his own words, Peplowski shares the journey behind the album: "Just like most musicians, when the dreaded Covid, along with the accompanying lockdown, hit in 2020, that was it as far as work was concerned. Like some very dark cosmic joke, I not only had a bad case of Covid in March of 2020, but my beloved dog Honeypie had to be put to sleep in April of 2021. In June of that year, I was diagnosed with Multiple Myeloma."
Facing financial, emotional, and physical challenges, Peplowski found solace in music. He started a successful weekly streaming show and recorded dozens of episodes, many of them featuring the ensemble presented on Live at Mezzrow. Peplowski eventually adopted a new dog, Corky, and found the hope and strength to fight through his illness. "I realized what a real family we have in the jazz world, and I had so much love and support (and also from the larger community of fans), I managed to get through the worst of everything and come out actually feeling better and stronger as a musician and as a person." Peplowski is now in full remission.
SmallsLIVE owner and pianist Spike Wilner presented the idea of this live album to Peplowski, who jumped at the idea. The acclaimed multi-reedist indicates, "This is my favorite way to record - I like to work on song material for a year or two, find some interesting tunes that are not so often played, revive some tunes that I haven't played in years, and just go in with friends and record in a set up like a band on stage and play through the music, warts and all, and that's exactly what we did."
Ken Peplowski Live at Mezzrow includes unique renditions of jazz classics as well as lesser-known gems, all delivered with an authority and nuance of which only Peplowski and his cohort are capable. Each selection tells a tale of Peplowski’s fruitful musical adventures with architects of the art form. The live performance is a master class in interplay, Peplowski’s melodic refrains soaring over Rosenthal’s chordal musings, and well supported by the rhythm section of Willie Jones III and Martin Wind, melodic players in their own right. The band leader reflects, “Vignette" is a great song by Hank Jones, who I was thrilled to both record and tour with, although we never played this song together, which is based on the changes of an old tune called "Sweet Sue, Just You".
"Prisoner Of Love" was actually inspired by James Brown's great rendition of the classic song originally popularized by Billy Eckstine. Peplowski remarks, “I wanted to take "All The Things You Are" and kind of bring it back to its original intent, which was one of the most sublime ballads ever written (including the words, which are pure poetry).”
Peplowski recalls,"The Shadow Of Your Smile" was written by a man I got to know a bit, Johnny Mandel, who confirmed for me that he wrote it with Jack Sheldon's gorgeous trumpet sound in his head. “Here's To Life" was written by my friends Artie Butler and Phyliss Molinary - it means more to me now than ever before.” Particularly poignant are the last three lines of the song which read: "Here's to life, here's to love, here's to you..." The album concludes with Duke Ellington's "Who Knows", a fitting tribute to the jazz legends who inspire Peplowski's music.
"Ken Peplowski is not only one of the most complete musicians I know but also one of the bravest. Ken has faced daunting health issues that would stop others in their tracks,” reflects Spike Wilner. “For Ken, music is always the imperative, and creating it is the number one priority. We are so proud to award Ken Peplowski this SmallsLIVE grant to document his work as one of the true jazz masters and virtuosos.”
THIERRY DE CLEMENSAT
PARIS MOVE
"Ken Peplowski Live at Mezzrow includes unique interpretations of jazz classics as well as lesser-known gems, all delivered with an authority and nuance that only Peplowski and his colleagues can achieve. " Check out the full review here.
TIM LARSEN
JAZZ VIEWS
"Ken’s tenor sax is lyrical. His tone is rich, resonant, breathy, and listen to that vibrato! " Check out the full review here.
LANCE LIDDLE
BEBOP SPOKEN HERE
"Beautiful Love has our man really wailing on clarinet - such dexterity! Some nice bass-work from Wind followed by a series of fours all-round which went on just long enough before his liquid tone takes it out." Check out the full review here.
WILL FRIEDWALD
THE WALL STREET JOURNAL
"“Here’s to Life” is a victory-lap song, a philosophical reflection on many decades of personal experience, lovers and family." Check out the full review here.
TURGAY YALCIN
DARK BLUE NOTES
"A wonderful swing album as a remedy for those who do not enjoy the jazz of most modern day musicians who focus on arrangements with the motif of making serious music, do not allow room for spontaneity, carefully avoid being accessible and put reason before emotion." Check out the full review here.
JOHN CHACONA
ALL ABOUT JAZZ
"Ken Peplowski doubles down on the concept, adopting a daringly slow tempo for a performance of almost prayerful concentration." Check out the full review here.
SCOTT YANOW
THE SYNCOPATED TIMES
"The rhythm section swings throughout and gives Peplowski a perfectly suitable solid foundation for him to fly over." Check out the full review here.
KRZYSZTOF KOMOREK
CULTURAL DENUNCIATION
Check out this feature on the editor's playlist here.
PETER VACHER
JAZZWISE
"Peplowski’s clarinet playing is still his strong suit, pure-toned and technically assured, as on ‘Beautiful Love’ and a quite lovely reading of ‘All The Things You Are’ taken slowly and carefully." Check out the full review here.
STEVEN CERRA
JAZZ PROFILE
"Both aspects of this talent are on display on Ken Peplowski Live at Mezzrow, a marvelous recording that you’ll find difficult to take out of your CD player." Check out the full review here.
DEE DEE McNEIL
MUSICAL MEMOIRS
"Ken Peplowski’s tone and delivery is captivating. He’s so emotional and satin smooth on his tenor saxophone. For example, his interpretation of “The Shadow of your Smile” performed at a slow tempo, pulls all the beauty out of the tune carefully, like extracting honey from a beehive." Check out the full review here.
HUGH RAINEY
JAZZ JOURNAL
"The performances sound spontaneous and fully committed, free from restrictive arrangement, with assured rapport and interesting, expressive solos." Check out the full review here.
GEORGE W. HARRIS
JAZZ WEEKLY
"His tenor sax blues blue smoke rings on the easy bopper “Vignette” and gloriously sighs on “Prisoner of Love”, lusciously behind the beat on the appropriately titled “Like Young”." Check out the full review here.
PIERRE GIROUX
NEW YORK CITY JAZZ RECORD
"Like Young” (Previn, Webster) features Peplowski’s deep and husky tone on tenor. The quartet offers a deftly swinging interpretation with a relaxed but rhythmically precise feel." Check out the full review on pg22 here.
