Among Giants
Release Date: June 21, 2024
Label: Blue Engine
Blue Engine Records—Jazz at Lincoln Center’s in-house record label—is proud to present the debut album Among Giants from rising star alto saxophonist Sarah Hanahan alongside Marc Cary (piano), Nat Reeves (bass), and Jeff “Tain” Watts (drums).
Among Giants finds Hanahan marshaling a powerhouse rhythm section to make an unforgettable statement that announces her arrival on the global jazz scene. It’s also a passionate declaration of her dedication to pushing the music forward while also honoring the past. “New voices have pushed and pulled and conceptualized where jazz is today, but through it all, bebop has stayed constant and relevant,” Hanahan says. “This is what we call the lineage and the tradition, and it was my inspiration for the record. I want to pay my respect to my mentors and to the greats who have come before me, but I also want to show who I am and the voice I have to contribute to this lineage.”
As a graduate of the Jackie McLean Institute of Jazz at the University of Hartford’s Hartt School of Music, Hanahan venerates alto legend McLean and his acolytes, who provide a prime source inspiration on her debut album. “Abraham Burton, Nat Reeves, Steve Davis, and René McLean not only taught me how to play and the dedication it takes to be a real musician, but they taught me what music really is about. They taught me what music means and the heaviness every note carries. They stressed the importance of culture, spirituality, and knowing the tradition,” she reflects.
Working with Reeves, Watts, and Cary was a natural fit for Hanahan, who describes the rehearsals leading up to the record as “unbelievably fun and easy.” It's easy to understand why: Reeves and Watts have played together for over thirty years, and have revolutionized the bass-drum lockup in the process. And Marc Cary, informed by his many years with Betty Carter and Abbey Lincoln, has developed one of the most dynamic concepts of comping and supporting a soloist. “While the four of us worked together to learn my songs and play standards, each person contributed musical ideas that ended up shaping each track to what you hear on the record. All of them putting their unique individual touches while also listening to each other in depth and playing as one is what truly makes this record special,” she describes.
Among Giants features a carefully curated mix of originals and standards. Among the highlights are “NATO,” a Hanahan original written for Nat Reeves. Encapsulating an energetic fusion of new and old, the song has a contagious energy and what Hanahan refers to as a “beautiful arch in dynamics.” Opening track “Welcome” is another stunner. Originally recorded on John Coltrane’s album Transition, “Welcome” highlights the spiritual side of Hanahan’s playing. “I want this track to take people on a journey, and I think we conveyed just that,” she says. Lead single “We Bop!” was written during the pandemic and has become a set-list staple on Hanahan’s gigs. “This tune has been played in so many different ways over the past few years, and the way we played it on the album is completely different than any time we’ve played it before,” she comments. A fan-favorite that often closes out her shows, “We Bop!” is an invigorating and celebratory jam that routinely leaves audiences on their feet.
Already hailed by NPR’s “Youngbloods” series as a star in the making, Hanahan has put her name on the map by performing and touring with renowned musicians including Peter Martin, Dee Dee Bridgewater, Joe Farnsworth, Steve Davis, and the Grammy award-winning Mingus Big Band. Now, with the release of Among Giants, Hanahan shares her own voice as a young star revolutionizing the genre.
ROBERT C. GILBERT
LISTENING SESSION
"Hanahan’s alto is tart yet warm. When she adds a slight vibrato, she brings to mind late-era Coltrane as well as Albert Ayler." Check out the full review here.
MATTY BANNOND
NEW YORK CITY JAZZ RECORD
"Hanahan is a powerful player who transports her listeners far up into exquisite cloud kingdoms. Together with her heroes, she proves she too can soar." Check out the full review here.
STEPHEN GRAHAM
MARLBANK
"Hanahan whose sound is scalding, direct and provides visceral impact studied at the Jackie McLean Institute of Jazz at the University of Hartford’s Hartt School of Music in Connecticut." Check out the full review here.
JIM HYNES
MAKING A SCENE
"As the title suggests, she strikes a balance between tradition and pushing ahead with a carefully curated mix of originals and standards." Check out the full review here.
STEPHEN GRAHAM
MARLBANK
"This version of the searing Burt Bacharach classic 'A House is not a Home' sung miraculously by Luther Vandross is notable for Hanahan's scalding, very compelling timbre and outrageous sense of tender power." Check out the full track review here and check out the Track of the Week feature here.
THIERRY DE CLEMENSAT
PARIS MOVE
"It’s interesting to see a young, talented artist making such strong musical propositions. The melodic sense isn’t everything; Sarah Hanahan also has a very striking style, a way of attacking notes both firmly and gently that makes her recognizable." Check out the full review here.
WRTI
NPR MUSIC
One of “Public Radio’s Favorite New Artists of 2024 (so far): "New York-based alto saxophonist Sarah Hanahan makes every note count, and her blazing conviction translates to audiences in concert and on record immediately." See the full roundup here.
MORGAN ENOS
UK JAZZ NEWS
"Many jazz musicians espouse a common value: to stay anchored to a tradition, but not beholden to it. This is easier said than done, but in understanding the evolution of a single song, “We Bop!”, you can hear Sarah Hanahan successfully negotiate that terrain." Read the interview here.
TURGAY YAÇIN
DARK BLUE NOTES
"She has a bright, lively tone and a fluid style that commands attention, and her mastery of the instrument is indisputable..." Read the review here.
EDDIE MYER
JAZZWISE
"Hananhan’s own ‘Honey’ has a gentle calypsonian lilt that sounds like a genuine 1960’s pop classic;..." Check out the full review here.
NATE CHINEN
WRTI
"But as you’d know if you caught her performance at the Center City Jazz Festival last year, Hanahan doesn’t need an all-star band to set a stage ablaze." Check out the full feature here.
KRZYSZTOF KOMOREK
CULTURAL DENUNCIATION
Check out this feature on the editor's playlist here.
DEE DEE McNEIL
MUSICAL MEMOIRS
"There is just something about her style and improvised technique that recalls the greatness and inspiration of John Coltrane. Sarah Hanahan plays with affirmation and assertiveness. She is obviously gifted." Check out the full review here.
EDITOR
ABC LISTEN
"'Among Giants' is an album of timeless standards, innovative covers, and exciting new numbers." Check out this feature here.
VERONICA JOHNSON
DOWNBEAT MAGAZINE
"As a first-time session leader, Hanahan plays with pure fierceness and lyrical conviction that makes you believe she could at will access the spirits of greats like Jackie McLean and John Coltrane." Check out the full review here.
ALEX ARIFF
NPR
Check out the full podcast here.
MIKE GREENBLATT
THE AQUARIAN
"She’s here to revolutionize bebop and take it into the future. Maybe that’s why she ends her mightily-impressive Among Giants debut (Blue Engine Records) with her own “We Bop.” " Check out the full review here.
BENJAMINE BODDIE
ALL ABOUT JAZZ
Check out this feature on the editor's playlist here.
NATE CHINEN
NPR
“...Hanahan, whether waxing lyrical or spitting fire, makes it clear that she won't be budged” Check out the full feature here.
