Live at Mezzrow
Street Date: July 15, 2022

Label: Cellar Music Group / SmallsLIVE Foundation

Sheila Jordan's Live at Mezzrow is the inaugural release of the SmallsLIVE Living Masters Series on Cellar Music Group. Marking the first live recording of jazz luminary Sheila Jordan in nearly a decade, Live At Mezzrow captures Jordan’s nuance, grace and soulful swing that continues to dazzle audiences seven decades into her richly fruitful lifetime of jazz. The famed vocalist performs here alongside her long-time rhythm section which includes two-time GRAMMY winning pianist Alan Broadbent and celebrated bassist Harvie S.

The date was October 25, and patrons packed into the intimate Mezzrow Jazz Club seeking a warm musical escape from a particularly cold autumn night in New York City, to listen to the legendary Ms. Sheila Jordan. What the illustrious Ms. Jordan provided was a window into the New York of years past – to a time when Bird could be heard at Birdland and Jordan could be heard serenading audiences at the Page Three Club in 1950’s Greenwich Village. On Live at Mezzrow, Jordan sings her way through a stunning musical retrospective, reflecting on a lifetime in service of swing. Jordan remarks “I love singing at Mezzrow, it is much like the clubs of the olden days on 52nd street, and what Spike Wilner is doing to keep the music alive is fantastic.” 

Mezzrow Owner and Live at Mezzrow Executive Producer Spike Wilner remarks “At age 93, Sheila Jordan delivers a vociferous performance of standards and bebop. She literally glows with the resonant age of her accomplishments and associations… She has the core vibration of the true Detroit sound and hails from the very greatest period of that music. Her fellow Detroiters, such as Barry Harris, Hank Jones, Tommy Flannagan and others have all but left us, but she is still here and still vibrant.”

On Live at Mezzrow, Jordan and her steadfast rhythm section offer heartfelt arrangements of an array of jazz standards. The archetypal compositions presented here have, over the years, worked their way into the singer’s musical ethos and have become part of the Sheila Jordan songbook. The vocalist remarks “it’s the melodies that draw me to these songs”, and these melodies are deeply ingrained into Jordan’s very being, along with the bebop language which Jordan was one of the first to integrate into the world of vocal jazz.

The evening began with Jordan’s moving rendition of the Abbey Lincoln classic “Bird Alone”. Jordan notes “I love to promote other singers’ material, particularly if they’re songs that I can relate to. Abbey Lincoln was a great performer and singer, and I identified with this piece of her’s.” Standards such as “The Touch of Your Lips” and “Look For The Silver Lining” are delivered here with ease, and a particular poignance that only Sheila Jordan can deliver.

Falling in Love With Love” begins with bass and voice duo, an outfit that is surely comfortable for Jordan who originated and popularized this instrumentation within the jazz idiom back in the early 1950’s in a duo with bassist Steve Swallow. Lincoln went on to perform in a duo setting with Harvie S for many years, evident when one listens to the powerful interplay between these two artists – a sound that is only augmented by the addition of Broadbent. Jordan’s bebop-lines and soulful refrains soar while scatting on this Rodgers and Hart classic. Instrumental interludes “What is This Thing Called Love” and “Blue and Green” feature Alan Broadbent and Harvie S, demonstrating Broadbent’s stellar improvisational acuity.

Jordan prides herself on her association with Charlie Parker, who often introduced her as “the singer with the million dollar ears.” In fact, if you ask the inimitable Ms. Jordan about her friend and mentor, she will tell you – “Bird was my idol man, he’s the reason I sing!” The singer reflects on her hero in her composition “The Bird”, musing about the saxophone titan’s legacy before embarking on her emotive and near-athletic vocal rendition of Parker’s classic “Confirmation”.

Delivered here with a soulful power, “Baltimore Oriole” is a classic in the Jordan songbook, a piece that the artist first recorded on her 1963 debut album Portrait of Sheila – the very first vocal album released by Blue Note Records. Following “Baltimore Oriole”, Ms. Jordan delivers a dazzling bossa-nova-tinged rendition of the Cole Porter classic “I Concentrate on You”.

Jordan presents audiences with a NYC love story on the Vernon Duke classic “Autumn in New York”, ending with a Jon Hendricks-inspired vocalise and shades of “Take the A Train” from Broadbent. The live album concludes on a high with the jubilant “Lucky To Be Me” with a magnificent, swinging energy from Ms. Sheila Jordan and her superb rhythm section. 

Wilner notes “It is a great privilege for us to present Sheila Jordan Jordan live at our club, Mezzrow.  She’s in an element that she knows best (a crowded and intimate club) and is with musicians she trusts the most.  We hope this document can provide you an insight into her work and her depth.  Sheila Joran is the debut of our SmallsLIVE Living Master’s Series and we can’t think of a better representative.”

LEONID AUSKERN
JAZZ QUAD
Read the review in Russian here.

SUZANNE LORGE
NEW YORK CITY JAZZ RECORD
"But it is Jordan’s off-the-cuff remarks, with her frank humor and ever-present warmth, that make you want to lean into the record." Read the full article in the July issue here.

CHRIS SPECTOR
MIDWEST RECORD
"Outliving all her contemporaries and still having plenty on the ball, this is a fine kick off to the label's living legends series." Read the review here.

MATT MICUCCI
JAZZIZ
Read the album announcement here.

E. LACAZE/A. DUTILH
RADIO FRANCE
Read the full album review in French here.

MATT MICUCCI
JAZZIZ
Listed on the 10 Albums You Need To Know for the month of July article here.

JIM HYNES
MAKING A SCENE
"Long live the living legend, Sheila Jordan." Read the full review here.

MATT MICUCCI
JAZZIZ
Read the album announcement here.

LANCE LIDDLE
BEBOP SPOKEN HERE
"..Jordan, despite her 90 plus years continues to perform and wow the audiences (going by the applause at this venue)." Read the album review here.

MICHAEL TOLAND
THE BIG TAKEOVER
"..Jordan still carries the weight of experience in every note, and she’s still sharp as a needle on top of that. RESPECT." Read the full review here.

ORI DAGAN
NEW YORK CITY JAZZ RECORD
"In years to come, scholars will look to this recording as a quintessential capture of a (then) 92-year-old beacon of hope who sounds half her age and will always be the definitive “Jazz Child”." Read the review in the August issue of New York City Jazz Record here.

GEORGE KANZLER
HOT HOUSE JAZZ MAGAZINE
"..Sheila can still inhabit a song with authority and make it her own." Read the review in the August issue of Hot House Jazz Magazine here.

ROB LESTER
TALKIN' BROADWAY
"Her infectious joy just makes me grin, gratified and impressed all over again." Read the full review here.

ANDREW GILBERT
JAZZ TIMES
"Jordan is still a creative force who sings praises and thanks to her flighty mentor." Read the full review here.

DEE DEE MCNEIL
MUSICAL MEMOIRS
"..crystal clear, emotional delivery" Read the full review here.

FRANCOIS VAN DE LINDE
JAZZ JOURNAL
"Free flight remains the core business of this charming survivor of jazz singing." Read the complete review here.

BRIAN PRIESTLEY
JAZZWISE
"..Jordan’s undeniable presence and her occasional interactions with the audience turns this into a positive.." Read the complete review in the October 2022 issue of Jazzwise Magazine and online here.

ALL ABOUT JAZZ
C. MICHAEL BAILEY
"..Jordan has the voice of her age, but that does not lessen her emotional impact, only quickening it. This release is to be celebrated and not judged." Read this review here.

TOM HAUGEN
TAKE EFFECT REVIEWS
"Jordan’s commanding voice handles the melodies splendidly.." Read the review here.

NICK LEA
JAZZ VIEWS
"..this is Sheila's gig and she quite rightly steals the show." Read the review here.

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