Release date: July 9, 2021
Label: Whirlwind Recordings
After winning the 2019 Sarah Vaughan International Jazz Vocal Competition, the now 21-year-old ascendant vocalist Samara Joy has announced her self-titled debut release, which puts the singer's spin on jazz standards from the Great American Songbook. Produced by Grammy-nominated veteran Matt Pierson, she’s joined by jazz guitar virtuoso Pasquale Grasso and his trio (Ari Roland and Kenny Washington) for a release that furthers Joy’s reputation as one of America’s most promising young jazz vocalists.
Joy grew up in the Bronx around a supportive musical family. Music was a pervasive presence, due to the inspiration of her paternal grandparents, Elder Goldwire and Ruth McLendon, who led the Philadelphia-based gospel group, The Savettes. “My mother and father gave me the opportunity to hear music on an interesting spectrum, from Luther Vandross and Chaka Khan through to George Duke and Stevie Wonder. Actually, I hadn’t heard of Sarah Vaughan until college. My friends were all into jazz and started sharing their favorite recordings with me. The turning point was when I heard Sarah’s version of “Lover Man” – I was hooked.”
It’s with singers like Vaughan and Ella Fitzgerald that early comparisons have been made, and close study of such vocalists formed the basis of the album. “The inspiration comes from absorbing as much of their style as possible. It’s a glimpse of what I’ve learned so far, and a way for me to pay homage to those who have come before, while lending my own perspective to these songs.”
Samara Joy presents the vocalist backed by the trio of Pasquale Grasso, a budding star from the world of solo guitar. “It’s great working with him because I know he brings his best, which pushes me to bring my A-game – nothing less.” Completing the line-up are prolific bassist Ari Roland and legendary drummer Kenny Washington, offering a subtly swinging backdrop to proceedings.
Joy’s interpretations balance the breezy-fresh feel of a relative newcomer with a reverence for a tradition she is now undoubtedly part of. “But Beautiful”, “Let’s Dream in the Moonlight” and “Jim” pay homage to Billie Holiday’s original versions, and she acknowledges the great Nat King Cole with versions of “It Only Happens Once” and “The Trouble with Me is You”. “Stardust” is another nod to Cole, showcasing a talent for storytelling well beyond her years. As she says, “There’s nothing like hearing someone who understands sing it to you.” Moods range from the happy-go-lucky simplicity of “Everything Happens to Me” to the longing of “Lover Man”.
Within the album liner notes, veteran writer Will Friedwald comments that Samara Joy is “a fantastic collection of highly original new arrangements, beautifully sung by a rising talent, and a very impressive first album. People are forever using the word “timeless” as if it were the greatest praise ever, but in a way, Samara’s voice and her music seem to belong to all time, like she’s connected to the entire history of jazz all at once – as if she were existing in every era simultaneously, she sounds both classic and contemporary.”
Winning the Vaughan award was transformational for Joy. “I was suddenly on the jazz radar. It’s still bizarre to think of how fast things have progressed.” Since then, Joy has dug deep to discover her jazz roots, without losing sight of the innate simplicity that makes her sound shine. Her first album announces the arrival of a young artist destined for greatness.
Winner of the 2021 JazzTimes Critics Poll - Best New Artist
THE NEW YORK TIMES
"The close precision and frothy power of her voice stand out immediately, and on her self-titled debut album, so does the depth of her comfort within the jazz tradition." Playlist feature here.
NEW YORK CITY JAZZ RECORD
"While there are many fine jazz singers on the scene right now, on the evidence of this recording, Joy already ranks near the top and this is just the start." Read the full review in the February 2022 issue of New York City Jazz Record here.
Newcomer Samara Joy Makes An Imposing Debut On Her Self-Titled Album. Review here.
"... a self-possessed, deeply emotive vocalist, with power that usually takes a lot of living to master. But the Purchase College graduate has got it in spades." Read this feature here.
"..a fine collection of work beautifully interpreted by this relative newcomer to the jazz scene." Read the full review here.
"Joy’s debut shines with the promise of things to come." Read this review here.
"Fingers crossed for the young and talented Samara Joy to continue her journey on the path of cultural jazz, on the lookout for new encounters to deepen her art with authenticity." Read the full review in French here.
Samara Joy, the winner of the 2019 Sarah Vaughan International Jazz Vocal Competition, releases today her self-titled debut via Whirlwind Recordings. Read more about this announcement here.
THE BAY STATE BANNER
"Samara Joy, winner of the Sarah Vaughan International Jazz Competition in 2019, is at the age of 21 emerging as a powerful vocalist on the cusp of international fame." Read this interview here.
NEW YORK CITY JAZZ RECORD
Mentioned as the 2019 winner of the Sarah Vaughan International Jazz Vocal Competition. Read the full article in the June 2021 issue of the New York City Jazz Record here.
"These battle-tested standards, like “Stardust,” “Lover Man,” and “Everything Happens to Me,” are so richly performed that the listener will walk away smiling." Read the full review here.
"A lovely voice, perfect time, beautiful diction, effortless grace as an interpreter. Above all, she wins your heart." Read this review here.
"Samara Joy is a triumphant body of music with a depth and maturity rarely seen in a debut album." Read the complete feature story here.
NEW YORK CITY JAZZ RECORD
"Watching her YouTube videos only hints at what Bronxite Samara Joy brings to the stage." Read the complete review in the June 2022 issue of The New York City Jazz Record here.
THE ABSOLUTE SOUND
"There's poetry in her phrasing.." Read the complete review in the February 2022 Issue of The Absolute Sound Magazine.