Mountains
Release Date: September 13, 2024
Label: Artwork

Mountains is the highly anticipated new album from celebrated jazz pianist and composer Micah Thomas. This ambitious project marks Thomas' first large ensemble work, offering an expansive and emotionally rich listening experience that explores the depths of musical storytelling. This exploratory project features Thomas alongside some of the most inventive luminaries in modern jazz, including trumpeter Adam O’Farrill, alto saxophonist Immanuel Wilkins, tenor saxophonist Nicole Glover, trombonist Caleb Smith, bassist Kanoa Mendenhall and drummer Kweku Sumbry.

Drawing inspiration from his lifelong love of acoustic large ensemble music, Thomas reflects on the profound impact that formative musical experiences have had on his artistic development. Mountains is a testament to his journey through various musical influences, from Itzhak Perlman's orchestral performances to the emotive power of Charles Mingus' "The Black Saint and the Sinner Lady," and the bold narratives of Mahler, Stravinsky, and Prokofiev. 

Mountains is the result of a 2022 residency commission by New York City’s The Jazz Gallery. This album was recorded live over four sets of evocative performances at the iconic venue, taking place on June 16 - 17, 2023. The energy of the live atmosphere of this NYC cultural incubator abounds on each track of this illustrious release. Thomas indicates, "With Mountains, I wanted to create a collection that delivers a cathartic, massive experience for both performers and the audience. It's about capturing the incredible familial feeling and overflow of spirit that only a large group of musicians can create." 

The album is structured to evoke the grandeur and diversity of the natural landscapes represented. Thomas meticulously crafted each piece to explore a wide range of contrasts—complex structures versus simplicity, repetition versus novelty, and intimate solos versus full ensemble sections. This juxtaposition aims to create a dynamic and unpredictable musical narrative. In short - Mountains rejects predictability and the orthodox in the name of creation. The album strikes a balance of telling a cohesive story without relying on tired structures and cliches.

Thomas composed the album in a fluid, improvisational manner, allowing the music to evolve organically. "I intentionally wrote in the moment, letting each section lead me to the next," he explains. "This method allowed me to capture the natural movement of the human imagination and heart."

Mountains is divided into four main sections:

  1. "Life" - Inspired by imaginative flights through terrain, this track offers a complex musical journey that mirrors the diversity of organic structures.
  2. "Processing" - A dramatic narrative that reflects the episodic and non-linear nature of grief.
  3. "Hide" and "The Mountain" - These tracks explore intense personal emotions and the metaphorical long journey through wilderness.
  4. "Divine" - Inspired by Alice Coltrane's orchestral music and the concept of finding something uniquely divine through artistic creation.

In conjunction with the album announcement, the first single from Mountains, titled "libre", will be released on June 7th. Inspired by the duo recordings of Paco de Lucía and Camarón de la Isla from the late '60s and early '70s, "libre" features a melody and groove that embody the spirit of freedom without limits. The track contains clips of improvisation from all four sets of the Jazz Gallery performances, spliced together by Thomas in post-production. The title "libre" signifies a sense of being unrestricted and boundless. The album’s second single release will take place on September 9, with the release of “The Mountain”. This piece utilizes a simple structure, a driving broken swing feel expertly laid out by the rhythm section of Mendenhall and Sumbry paired with harmonic drones from the horn section. The rhythmic and harmonic consistency of the piece incites a primordial push echoed by the melodic refrains of the horns. The composer indicates, “I wrote “The Mountain” to evoke a long journey. I wanted it to feel like you’re looking down a long stretch of wilderness that you have to go through.”

Mountains, a masterclass in modern composition, would not be the evocative sonic journey that it is without the album’s stunning personnel. Thomas reflects, “The contrasting personalities of the horn players set their creativity off. Kanoa and Kweku hadn’t really played together before, and I could tell they formed a strong musical bond very quickly. A lot of the collaboration happened very vividly without much talking about what specifically was happening, which felt magical - All of these musicians gave themselves 100% to the music”.

Mountains promises to be a landmark release in contemporary jazz, showcasing Micah Thomas' innovative compositional style and his ability to push the boundaries of musical structure and emotion. 

FILIPE FREITAS
JAZZ TRAIL
"The album’s consistent arcs of tension and release create a daring and inclusive sonic experience, showcasing the expansive scope of Thomas' compositional vision." Check out the full review here.

MICHAEL TOLAND
THE BIG TAKE OVER
"Mountains is colorful, ambitious, and compelling, and if it’s not quite a masterpiece, it certainly clears the field for one." Check out the full review here.

DEE DEE McNEIL
MAKING A SCENE
"Here is a young, talented, innovative pianist and composer, who is bringing something new to the table." Check out the full review here.

MIKE JURKOVIC
ALL ABOUT JAZZ
"And though Thomas might explain that the composition is a "complex musical journey that mirrors the diversity of organic structures" it sure pops and parties rowdy as hell and sometimes that is all that matters." Check out the full review here.

PHIL FREEMAN
STEREOGUM
"The Mountain is the album’s centerpiece (literally; it’s track seven); Mendenhall and Sumbry set up a twitchy rhythm over which the horns play harmonized drones with occasional interjections from Wilkins or O’Farrill. It feels like music for a road trip." Check out the full review here.

DIONIZY PIATKOWSKI
ERA JAZZU
"Through improvised composition, Micah Thomas creates a dynamic and unpredictable narrative, celebrating the natural movement of human imagination and aesthetics." Check out the full review in Polish here.

JOSHUA MYRES
DOWNBEAT MAGAZINE
"Thomas is armed with new information, an artist who can see and see beyond the mountain of tradition." Check out the full review here.

REINHOLD UNGER
JAZZ PODIUM
Check out the full review in German on pg64 here.

JAMES READ
UK VIBE
"‘Life’ is the record’s remarkable opening, echoes of the past are filtered through the present, Thomas’ piano shifting between decades, his influences are apparent, yet he’s cultivating a distinct voice with a dazzling series of patterns which seem effortlessly achieved." Check out the full review here.

DIETMAR HOSCHER
CONCERTO MAGAZINE
Check out the full review in German here.

DAVID R. ADLER
JAZZ TIMES

"One of the best albums of 2024" Check out the full review here.

JON GARELICK
JAZZIZ

"In Thomas' conception, complete freedom is always in service to a common purpose and common joy" Check out the full review here.

STEFANO MERIGHI
ALL ABOUT JAZZ
Read the full review in Italian here.

TED PANKEN
JAZZ TIMES
“Before & After: Micah Thomas” Read the full piece here.

ELIJAH SHIFFER
NEW YORK CITY JAZZ RECORD
“This monumental work explores a vast range of musical habitats, constantly shifting focus like a tried landscape of mountains and valleys.” Check out the full review here.