Skyline
Release date: September 17, 2021
Label: 5Passion Records

GRAMMY WINNER: BEST JAZZ INSTRUMENTAL ALBUM, 64th GRAMMY AWARDS

Pianist Gonzalo Rubalcaba's latest album, Skyline, marks his eight release on his co-founded label, 5Passion Records. Skyline is the first release from a planned trilogy of piano trio albums for 5Passion.

Rubalcaba — raised and educated in Havana, where he played professionally as both a drummer and a pianist before emigrating first to the Dominican Republic in 1991 and then to Miami in 1996 — tells celebrated jazz journalist Ted Panken in Skyline’s liner notes that early gigs with the giants of the artform like bassist Ron Carter and drummer Jack DeJohnette turned out to be his, “real school, [his] portal to a different relationship with American musicians and American music.” So when Rubalcaba had a new trio project in mind, one rife with Afro-Cuban rhythms but informed by years studying what musical conversation between musicians should sound and feel like, he knew he needed sidemen who could pull off both elements with equal parts feel and erudition.

Carter and DeJohnette had to round out this trio.

“No matter what music you put in their hands,” Rubalcaba tells Panken in the liners, “at the end they convert that music into something personal. That to me has an amazing value.

But at the same time they understand their function at every moment…. Ron and Jack know how to keep their sound, their spirit, while fulfilling at a very high level your request as a producer or musical director or composer. They combine a special talent and a strong personality with a high level of consciousness of responsibility—everything together.”

While there’s never any doubt Rubalcaba is the lead sonic architect here, it’s evident on all nine cuts, as Panken notes, that he “didn’t want this to be a “Gonzalo record per se; he wanted to create a conversation from multiple points of view.” New perspectives are applied to the familiar, as each musician offers up a pair of his own previously recorded tunes to the trio’s (re)interpretive lens. For an illustration of the group’s methodology, take Carter’s “Gypsy,” a tune originally released on 1979’s Parade with Chick Corea (piano), Tony Williams (drums), and Joe Henderson (tenor sax). After a newly constructed preface, Carter reprises a walking bass line that calls to mind the original—though this version is at a slightly more relaxed tempo. Less frenetic and in ways steadier and more self-assured, this one retains the original’s probing, prodding and exploratory nature. If Parade’s was a showcase for Henderson, Skyline’s version is a showcase for Rubalcaba, as he plays both Joe Henderson’s lead lines and Chick Corea’s comping lines. The latter third of the tune spotlights DeJohnette and, secondarily, Carter—before Rubalcaba returns for one last lightning run. It closes with a sparse, contemplative dialogue that hits like a deep, awakening stretch—the musical manifestation of end-stage savasana.

Hypnotic and wistfully circular, “A Quiet Place” is the other contribution from Carter’s seemingly infinite catalogue. It holds special meaning because DeJohnette also played on the first incarnation, from 1978’s A Song for You. But perhaps more meaningfully, this one speaks to the risks Rubalcaba—who’s always had the insane facility to play at breakneck speeds—took to develop as both a player and composer. “I put myself in contact with different spaces and musical visions,” he tells Panken in the liners. “Even where you are not totally comfortable with [different] ideas, you can always learn. Life is a palette with many tastes and flavors and colors and moments.” Carter’s playing makes the visceral richness of this piece possible; his framing allows Rubalcaba to plumb not just depths of feeling but also to communicate the kind of breadth of emotion that separates really good art from everything else.

The first of DeJohnette’s offerings is “Silver Hollow,” a tune the drummer recorded first in 1978 with his New Directions group, then 13 years later, with Rubalcaba, on the latter’s The Blessing. Deliberate and inherently narrative, this one tells a story, but that story’s construction is left to the imagination of the listener—almost as if the musicians leave it to you to choose your own noirish adventure. Then there’s “Ahmad the Terrible,” inspired by DeJohnette’s formative years in Chicago, when, as a young gigging pianist—that’s right, Rubalcaba isn’t the only multi-instrumentalist here—he learned by watching Ahmad Jamal at his fabled Second City haunts. Presented almost scenically, like a theatrical number, this one displays the combination packages—the sweetness and muscly melodicism, the tension and release, the insouciance and the sober weightiness—for which Jamal is so beloved.

Rubalcaba sources his original offerings from a pair of his ’90s releases for Blue Note. “Promenade” is the first, a most appropriate selection that originally appeared on 1998’s Inner Voyage as a dedication to Ron Carter. No doubt the hope was that, one day, Carter himself would be able to play this one. That day has come, and the result proves worth the wait. Rubalcaba and DeJohnette both take turns out front, but, mostly here, they accompany Carter, whose ideas are many, never superfluous, and always expressed with an elegant authority that need not be explicitly stated. With “Siempre Maria,” Skyline’s penultimate tune, Rubalcaba presents a comprehensive harmonic and structural overhaul of the ballad/bolero that originally appeared on 1992’s Suite 4 Y 20. It’s both meandering and focused, as though Rubalcaba and co. are hard at work at deciphering that foundational Latin American mystery, amor.

Two Cuban standards occupy coveted slots; “Lágrimas Negras,” a bolero from the ’20s, opens the album, and “Novia Mia” sits square in the middle of Skyline’s nine tracks. On the former, Carter hops out front early, soloing with a series of playful, referential riffs, which includes a memorable nod to Grieg’s “In the Hall of the Mountain King.” On the latter, Rubalcaba bears his soul, with a capacious solo rendition of this iconic Cuban ballad that lends credence to the old cliché that the space between notes can communicate just as much as the notes themselves.

The bluesy closer, “RonJackRuba,” testifies to the notion that it takes a little luck to make a great record. This one’s the product of a spontaneous collective improvisation that the trio didn’t even know was being recorded. The engineer Jim Anderson had left the room to tend to a tech issue but had the good sense to keep the tape rolling. “One of us played a note, and then we followed that sound, that line, and continued playing for seven minutes,” recalled Rubalcaba. “We didn’t know Jim was recording until we stopped and he told us.”

Over nine tracks presented, what Panken astutely dubs, “an equilateral triangle aesthetic,” a fusion of distinct personalities and sensibilities from three master musicians who know when to speak and when to listen. Skyline, he says, continuing to unspool this thread, is “an immersive album that is unique in Rubalcaba’s discography for its unendingly dialogical quality, in which no topic, idea or motif is off-limits to kinetic, soulful investigation.”

JORGE SOTO
EL UNIVERSAL (MEX)
Esta producción surge de un viejo anhelo del pianista cubano Rubalcaba de reunirse con los mentores de su juventud. Es su primer álbum de una trilogía digital. Para leer más presione aquí.

 

STEVE FEENEY
THE ARTS FUSE

Havana-born Gonzalo Rubalcaba, 58, has teamed up with esteemed jazz veterans Ron Carter, 84, and Jack DeJohnette, 79, for a release that exhibits a refined ease of expression. That said, Skyline doesn’t fully deliver on the high expectations promised by the personnel. But, leaving that consideration aside, the recording has more than its share of subtle pleasures. Read the review here.

 

KEVIN WHITEHEAD
NPR

The Cuban piano whiz teams up with American jazz greats Jack DeJohnette and Ron Carter on a new album. Skyline is three masters enjoying each other's company, with us listeners as lucky eavesdroppers. Read the review here.

TOM HENRY
TOLEDO BLADE
"The talent's outstanding on this disc, but so is the collaboration." Read the full review here.

JAZZ PRESS
Read the full review in Polish here.

BOBBY SANABRIA
WBGO

"This spellbinding music is drenched in dynamics, sensitivity, and introspection." Read the Fall preview here.

STEPHEN GRAHAM
MARLBANK
"Skyline contains the achievement of all these yesterdays, the song of experience and more as well as the promise of an entrancing tomorrow." Read the full review here.

JOSHUA MYERS
DOWNBEAT

"...a mature rendering of the art of piano trio." Read the review in the November issue

ADAM FEIBEL
JAZZFM.91
Gonzalo Rubalcaba has enlisted the masterful talents of Ron Carter and Jack DeJohnette for his latest album Skyline. Read this announcement here.

MORTON SHLABOTNIK
SHEPHERD EXPRESS
"The flow of musicianship is organic, with an almost palpable sense that they enjoyed the session as they explored the outlines of melody, harmony and rhythm." Read the full review here.

STEPHEN SMOLIAR
THE REHEARSAL STUDIO
"There is a sense of intimacy that pervades the entire album." Read the full review here.

LEONID AUSKERN
JAZZ QUAD
Read the full review in Russian here.

FILIPE FREITAS
JAZZ TRAIL
Read the full review here.

BURAK SÜLÜNBAZ
CAZKOLIK
Read the full review in Turkish here.

DONOS
Read the full review in Polish here.

GEORGE W. HARRIS
JAZZ WEEKLY

"It’s as good as you hope." Read the review here.

JIM HYNES
MAKING A SCENE
"Throughout the listener gets a sense that the trio is exploring, probing, and wrestling down whatever idea they are presented with." Read the full review here.

RICCARDO TALAMAZZI
OFF TOPIC MAGAZINE
Read the full review in Italian here.

FRANCE MUSIQUE
Read the full album announcement in French here.

GENO THACKARA
ALL ABOUT JAZZ
"The leader has enough skill and fluid versatility at the piano to make this session an exciting (even sometimes blistering) summit of equals." Read the review here.

CEZARY GUMINSKI
JAZZPRESS
"The unquestionable artistic value of the Skyline album is complemented by the excellent technical quality of the recording." Read the full review in Polish here.

RALPH MIRIELLO
NOTES ON JAZZ
Listed on the Best of Jazz 2021 article here.

BOB WEINBERG
JAZZIZ
Read the full feature article here.

DEE DEE MCNEIL
MUSICAL MEMOIRS
"You will want this piece of intricate, musical, crochet art in your collection." Read the full review here.

MIKE GREENBLATT
GOLDMINE MAGAZINE
"The chemistry, the interaction, the individual flights of fancy that coalesce into a cohesive whole, is stunning." Read the review here.

JOSHUA MYERS
DOWNBEAT
"There might be no more fitting end than the blues for three musicians that have already given us so much, yet still continue to give." Read the full review here.

DAVID FIGUEROA
KCBX
Listed on KCBX's Best Albums of 2021 article here.

CEZARY GUMINSKI
AUDIO.COM
Read the review in Polish here.

PAT YOUNGSPIEL
ALL ABOUT JAZZ
"It's everything one would expect from the quality and experience these players share.." Read the review here.

PIERRE GIROUX
NEW YORK CITY JAZZ RECORD
"..Rendered in a sly bolero style, it finds Rubalcaba dancing over the keys with a variety of motifs and riffs but always maintaining contact with the melody even when playing intricate figures." Read the review in the March 2022 issue here.

TOM HAUGEN
TAKE EFFECT
"A record that possesses Afro-Cuban rhythms and a whole lot of imagination, there’s a wealth of talent present here, and it’s all utilized in splendid and memorable ways." Read the review here.

MAL STANLEY
ABC JAZZ
"..you can tell three are totally at home as a band in the studio." Read the review here.

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