Legacy Dances
Release Date: August 28, 2026
Label: Motéma Music
4x GRAMMY®-nominated vibraphonist, composer, educator, and arts leader Stefon Harris celebrates 20 years of his groundbreaking band, Blackout with Legacy Dances, a vibrant recording inspired by ancestral influences, the importance of community, and Harris’s belief in jazz as a living, ever-evolving art form that must be rooted in exacting artistry, deep personal connection, and limitless imagination.
The release is bittersweet for Harris, as it both gloriously features and poignantly pays tribute to the extraordinary talents of electro-jazz innovator Casey Benjamin, an essential founding member of Blackout in 2004 and one of Harris’s dearest friends. The devastating shock of Benjamin’s sudden death in 2024 halted the band’s 20th Anniversary celebrations. Now, after taking time to reflect and consider next steps, Harris and Blackout look forward to honoring their newly ascended ancestor’s legacy with this landmark recording while dancing forward into exciting new Blackout directions.
As Harris’s fifth Blackout release and eleventh album as a leader, Legacy Dances is set to arrive on August 28, preceded by the vocal singles “I Know Love” (May 8) and “What a Wonderful World” (June 5), each illuminated by Benjamin’s prodigious vocoder gifts, as well as Harris’s instrumental tour de force originals “Echoes of the Lion” (July 3) and “A Radical’s Love” (July 31). Together with the album’s seven remaining tracks, they underscore the excellence and enduring appeal of this iconic ensemble.
Blackout broke new ground on their debut, Evolution (Blue Note, 2004), combining thrilling virtuosity with elements of hip-hop, fusion, funk, R&B, ancestral rhythms, and more. Harris’s jaw-dropping speed and musicality on vibraphone and marimba, alongside Marc Cary’s piano and synth inventions, Terreon Gully’s rhythmic architecture, and especially Benjamin’s joyous and virtuosic experimentation saxophone filtered through electronic sound-manipulation devices, established the group both collectively and individually as leaders of a new era in jazz. Later, Benjamin’s vocoder and aerophone would add more creative dimensions to Blackout’s sound.
“Every once in a while, a truly original being shares this limited space and time with us,” extols Harris. “Casey occupied a rarefied space brimming with genius, audacity, kindness, and humility. We were all incredibly lucky to have been blessed with the opportunity to create beauty with a true musical master.”
Through the years, the group has evolved, and Harris has consistently emerged as a thought leader in jazz and music education, as well as in empathy-based corporate team-building through the development of listening and communication skills. In producing, arranging, and writing Legacy Dances, he centered on the idea of jazz as ‘Empathy in Action’. “Embedded in the DNA of jazz is a blueprint for the transformative power of empathy,” Harris explains in the liner notes. “Our ancestors left us transformational tools that continue to empower us to understand and amplify the voices of our community.”
That intent runs throughout the album as the music honors lineage and collective experience through infectious compositions and fearless improvisation. The title track bursts out of the gate with Harris’ vibes and Benjamin’s sax doubling the memorable melody atop a surging groove from the rhythm section, powerfully propelled by Christian Sands’ piano on his first Blackout recording, the artists break into a rolling series of blistering solos. The ensemble’s balance of structure and spontaneity reflects Harris and Benjamin’s shared philosophy, expertly supported by the unerring groove and deeply informed rhythmic passion of Terreon Gully's drums and Dezron Douglas’ muscular walking bass, and djembe master Weedie Braimah .
While introducing six new Harris classics to the lexicon, Legacy Dances pays tribute to seminal jazz ancestor Louis Armstrong with fresh interpretations of “What a Wonderful World” and “West End Blues.” Harris also honors Newark’s own Willie “The Lion” Smith with his ingenious “Echoes of the Lion.” The composition abstracts the left-hand ostinato from Smith’s “Echoes of Spring” and places it in a contemporary musical context where melody and harmony emerge through the rhythmic crevices of the underlying bass groove.
Other originals draw inspiration from family, mentors, and cultural visionaries, including Newark born poet and activist Amiri Baraka, whose life and philosophy profoundly influenced Harris. “Legacy lives not only in the art our ancestors left behind,” Harris writes, “but also in the social rhythm of the cities and people that helped cultivate that artistry. I am committed to utilizing my artistry to celebrate the heroes of the community I serve.”
This release arrives during an especially dynamic period in Harris’s multifaceted career. Alongside performing and recording, he holds a tenured faculty position at Rutgers University, serves as co-director of the innovative arts space Express Newark, and tours universities and conservatories promoting Harmony Cloud™, his revolutionary ear-training and improvisation platform developed over the past decade which officially launched at the 2026 Jazz Education Network Conference in January. The popular app already has thousands of users, and Harris has conducted Harmony Cloud workshops at institutions including Harvard University, Peabody Conservatory, Temple University, the University of Miami, the University of Oregon, and the University of Southern California, with additional engagements forthcoming across the U.S. and abroad. Additionally, Harris has initiated a popular line of signature Malletech mallets and helped to develop Malletech's revolutionary OmegaAir Vibraphone which made its recording debut on this album.
With Legacy Dances, Harris brings together his work as an artist, educator, and cultural leader while offering a heartfelt farewell to a beloved collaborator. “Alone and together, we dance,” Harris writes. In that spirit, he invites listeners to experience the music as a shared act of listening, learning, dancing and human connection.
Meanwhile, the legacy of Casey Benjamin continues to unfold. As listeners around the world continue to engage with and be influenced by his work with Blackout, the Robert Glasper Experiment, and a wide range of artists across jazz, hip-hop, and popular music, his brother Kevin is producing a documentary and working with Benjamin’s close collaborator Blair Wells to master and assemble two albums that Benjamin had nearly completed. These forthcoming posthumous releases will ensure that his music and influence continue to resonate for generations to come.
MARK GRIFFITH
MODERN DRUMMER
"Stefon Harris' band Blackout has created a musical legacy of combining jazz, blues, dance, and hip hop music. Legacy Dances lies more in the jazz realm, but there is a lot of other music in there too." Check out the full review here.
THOM JUREK
ALL MUSIC
"Legacy Dances functions as a glorious memorial and tribute, but it also showcases the canny development of Stefon Harris & Blackout's wide-open, ever-evolving approach to jazz." Check out the full review here.
LANCE LIDDLE
BEBOP SPOKEN HERE
"You'll find a lot of hidden depths. One thing is for sure, if you're into vibraphones you'll want to add it to your bucket list.” Check out the full review here.
PETER JONES
JAZZWISE
“…mellow and melodic and sometimes melancholy, and imbued throughout with great warmth, love and maturity.” Check out the full review here.
CRAIG L. BYRD
CULTURAL ATTACHÉ
You don’t need to know about Blackout or its legacy to embrace this album. Nor do you need to know about Benjamin. But now that you do, you’re likely to enjoy Legacy Dances even more profoundly. Check out the full announcement here.
MICHAEL TOLAND
THE BIG TAKE OVER
"Would that we all receive such a tribute for our lives and work as Harris gives Benjamin with Legacy Dances.” Check out the full review here.
A.D. AMOROSI
JAZZTIMES
Kudos to Stefon Harris for making sure Legacy Dances was Casey Benjamin’s shining hour, rather than his own. That’s what I mean by grace. Check out the full announcement here.
THIERRY DE CLEMENSAT
PARIS MOVE
“...Harris places that friendship within the larger history of jazz, where musicians have always depended on the voices of those who came before them while searching for their own. The album acknowledges loss without allowing loss to define the music. It remembers Casey Benjamin, but it also gives his ideas somewhere to go.” Check out the full review here.
STEVE WILLIAMS
UKVIBE
"Legacy Dances’ goes straight in with post-bop excitement and swings the whole way through this strong opener, and it is Benjamin‘s aerophone that steals the show.” Check out the full review here.
DI LA REDAZIONE
UDITE UDITE!
"Le sue strette collaborazioni con la leggenda dell’hip-hop Q-Tip e con artisti contemporanei come il vibrafonista Stefon Harris e il pianista, arrangiatore e produttore Robert Glasper hanno contribuito a guidare un movimento capace di ampliare il modo in cui creiamo, raccontiamo e viviamo la musica afroamericana, ripensando le possibilità stesse del jazz." Check out the full review in italian here.
PHIL FREEMAN
STEREOGUM
"...a transitional record as well as a celebration of Benjamin.” Check out the full review here.
NICOLAS POMMARET
RADIO FRANCE
"...a vibrant album…” Listen to the full program in French here.
JEFF BECKER
JAZZ SENSIBILITIES
"Legacy is not preservation, imitation, or nostalgia. It is the absorption of a musical language deeply enough to continue changing it without losing its connection to what came before.” Check out the full review here.
JAMES HALE
DOWNBEAT
“… a band that, despite shifting membership, has always emphasized the joy of making music together.” Check out the full review here.
