Release Date: February 14, 2020
Label: Doxie Records
Vocalist Robin McKelle delves into the catalogue of some of the most celebrated women of song, interpreting these masterworks through the lens of the jazz idiom on her new album Alterations. On Alterations, McKelle follows in a long tradition of female song interpreters, lending her sultry vocal stylings to classics by a diverse list of female innovators including Dolly Parton, Sade, Amy Winehouse, Adele, Janis Joplin, Carol King, Billie Holiday, Joni Mitchell, and Lana Del Ray. McKelle is joined on this release by a group of consummate musicians including co-producer, pianist and arranger Shedrick Mitchell, acoustic and electric bassist Richie Goods, drummer Charles Haynes, guitarist Nir Felder. In addition, esteemed saxophonist Keith Loftis is featured on McKelle’s sole original composition on this release, “Head High”; and renowned trumpeter Marquis Hill is featured on Lana Del Rey’s “Born to Die”. The first single from Alterations, McKelle’s rendition of Sade’s “No Ordinary Love”, will be released in late January. Alterations will be released on Doxie Records and distributed and marketed by the Orchard.
In the making of the album, most of McKelle’s vocal tracks used on this final recording were takes she sang live with the band. On the recording process, McKelle notes “The energy and connection with the musicians was so powerful. They lifted me up and made it feel effortless. I’ve never felt so confident in the studio.” The energy and connection of the album overall is palpable; stunning interplay is displayed throughout each track. Shedrick Mitchell was responsible for translating McKelle’s visions for each of these tracks into arrangements for this prodigious grouping of musicians to perform. McKelle notes “Mitchell really understood my vision and did a fabulous job helping to make the arrangements come alive. We fused jazz, soul, r&b, blues and rock all while keeping a continuity in the music.”
The album begins with McKelle’s re-imagining of Winehouse’s “Back to Black”. A gentle latin rhythm drives this track forward; Mckelle’s voice soars over Mitchell’s masterful accompaniment. The album continues with McKelle’s soulful take on Adele’s “Rolling in the Deep”, the band uses this song as a vehicle to explore the reflective lyrics with a wonderful, moody reharmonization. Guitarist Nir Felder takes a stellar solo over these changes. The album proceeds with McKelle’s original composition “Head High”, the artist’s tribute to the female singers and writers who came before her. “It’s about the power that the female singer has. To move people with her lyric and song. To be fearless. To touch people’s emotions. To make change” notes McKelle. Consummate saxophonist Keith Loftis is featured on this track.
McKelle’s delivers a spirited, bluesy rendition of Dolly Parton’s classic “Jolene”, a celebration of the lyrics in a decidedly different context than the original 1974 release by Parton which earned her a GRAMMY® for Best Female Country Vocal Performance. “No Ordinary Love” is McKelle’s rendition of Sade’s classic R&B composition. McKelle’s fiery latin-tinged arrangement of this song emphasizes the ensemble’s fantastic sense of dynamics and interplay. McKelle’s voice ignites the track and is met with an impassioned solo from Felder. The album ends with a duo performance of Carole King’s classic “You’ve Got a Friend”. McKelle and Mitchell converse over King’s lyrics, delivering the song’s tenderness with her signature warmth and strength.
The songs on Alterations are diverse in tone and mood. The desperation of Del Ray’s “Born to Die”; The exuberance of Parton’s “Jolene”. McKelle transitions seamlessly between the emotions of every song. And makes each one her own. To McKelle, alteration is all. As the artist notes “when you create change, you create space for something to shift in the world and in yourself. As an artist. And as a human. And that is a change for the good.”
More About the Artist:
A savvy songwriter and a powerhouse vocalist, McKelle has long found a home where soul, jazz,pop, gospel, blues and the American Songbook cross paths. In her live performances, she exudes a bandleader’s moxie that recalls the Rat Pack era. While comparisons to Ella Fitzgerald are common because of her warm alto voice, her early influences were mostly Aretha Franklin, Tina Turner and Janis Joplin. McKelle’s voice mirrors the power of those three vocal titans while maintaining the refined nuances of Fitzgerald. In her early days, McKelle shared the stage with such prestigious artists as Michael McDonald and Bobby McFerrin.
McKelle’s seminal album Introducing Robin McKelle featuring the vocalist performing a list of standards of the jazz repertoire afront a big band, was released in 2006. This release was followed by 2008’s big band release Modern Antique. 2010’s Mess Around featured McKelle with a paired down ensemble and a repertoire running the gamut from jazz to soul to pop.
Soul Flower, Merry Christmas Vol. 1 and Heart of Memphis featured McKelle’s hard-partying ensemble The Flytones Led by bassist and co-producer Derek Nievergelt. On these releases, McKelle amps the grit to 11, displaying her versatility on a wide array of material. 2016’s The Looking Glass was McKelle’s first album of all original material. McKelle’s Melodic Canvas saw a turning point for the vocalist. "Tackling tough subject matter including politics, faith and more, McKelle's Melodic Canvas offers listeners a timely social commentary with a rich, soulful sound. Blending elements of blues, jazz, gospel and soul, the album is an inspired work of pure, aural bliss" (Eponymous Review)
There’s an insightful storyteller’s voice that connects her songs, a narrative thread that feels smart and soulful. In her songwriting and in the arrangements/production of the album, she mixes her varied influences together with strength and grace.
WULF'S MUSIC + BLOG
"McKelle’s singing as usually is immaculate and I truly like how Robin makes all the songs her own, gives them personality and connects them through a great concept." Read the full review here.
"...she and producer/pianist Shedrick Mitchell utilize Robin McKelle’s expressive phrasing, as well as fantastic backing by drummer Charles Haynes and bassist Richie Goods, to create an enchanting experience from start to finish." Read the full review here.
DEE DEE MCNEIL
"On this production, she has successfully reconstructed and musically elevated some familiar compositions recorded by some of our favorite, female artists." Read the full review here.
Michael's Jazz Blog
"As I said before the album impresses with a band that enjoys the scope and the space they have with these excellent arrangements. Robin McKelle’s interpretation is also totally in line with the band and so we have here an outstanding album of very well-known songs presented in a new and very inspiring way." Read the full review here.
My favorites include Sade’s “No Ordinary Love,” which was the first single released from this album, and the iconic “Mercedes Benz,” the Janis Joplin classic." Read full review here.
"A savvy songwriter and a powerhouse vocalist, Robin McKelle has long found a home where soul, jazz, pop, gospel, blues and the American Songbook cross paths." Read the full interview here.
SOUL AND JAZZ AND SOUL
"'Alterations' is no "karaoke covers" album; rather it's a personal journey in music with each song given a totally different reading to the original version." Read the full review here.
MAKING A SCENE
"The fearless McKelle proves again to be a creative force, whether with her own material or transforming some classic and unlikely choices. She is clearly in the top tier of today’s vocalists." Review here.
GINA LOVES JAZZ
" There is the bluesy, rocking element again in Janis Joplin‘s “Mercedes Benz” and a really beautiful duo performance of Carole King‘s “You’ve Got A Friend” where Robin and Shedrick get into a moving conversation." Read the full review here.
"McKelle has released a striking video for “No Ordinary Love” which embodies the mood of the new recording impeccably. Classic in concept and atmospheric in presentation, its elegant execution is of a caliber not seen often these days—but for this far from ordinary singer and timeless song, it is most deserved." Premiere here.
SOUL AND JAZZ AND FUNK
"Not a Christmas song, per se, it does reference the festival and the sentiment, the sad tenderness and the sense of regret inherent in the song were beautifully delivered by Ms McKelle. The track is one of the many highlights on the singer's upcoming new album - 'Alterations'." Full interview here.