Peace Anthems
Release Date: July 31, 2026
Label: Red Hook Records

Red Hook Records presents Peace Anthems, a multi-artist album gathering thirteen musicians under a single, urgent theme: the pursuit of peace. In celebration of the label’s 5th anniversary, the record brings together an exceptional ensemble spanning generations and disciplines, each contributing original works that approach peace as both subject and sonic practice.

The album features Qasim Naqvi on modular synthesizer, Taylor Deupree on guitar and percussion, Kalia Vandever on trombone, Thomas Morgan on bass, BlankFor.ms on electronics, tape loops and processing, Moor Mother on voice, Sungjae Son on tenor saxophone, bass clarinet and pump organ, Martha Deribe on voice, Simone Maggio on Fender Rhodes, Wadada Leo Smith on trumpet, Amina Claudine Myers on piano, Andrew Cyrille on drums, and Kit Downes on pipe organ. The result is a record of remarkable breadth and cohesion, one that holds together not through uniformity of style but through a shared commitment to its theme.

The album opens with Naqvi's "Al Badawi," a meditative piece built from lush, droning synthesizer pads that establishes the contemplative register the record sustains throughout. From there, "Wither Light and Airy" finds Deupree, Vandever and Morgan in conversation, their timbres blending through slowly evolving melodic repetition, Morgan's bass and Vandever's trombone weaving through Deupree's carefully crafted sound design. On "Imaginary Lines," Moor Mother’s spoken meditations are layered over musical textures created by BlankFor.ms. It is one of the record’s most striking moments, language becoming sound becoming landscape.

The album's two collaborations between Smith and Myers, "Sonic Requiem X" and "Reflections on Palestine," demonstrate the particular quality of music made between artists with deep mutual history. The silences in their playing carry as much weight as the interventions, and the space between notes feels carefully considered rather than simply empty. Son's "The River of Imjin" moves in a different direction, layering horns and pump organ into a rhapsodic hymn with a singular, enveloping texture. On "War is Over," Deribe and Maggio find great restraint within an intimate ballad framework.

On "Three Years Later" Smith soars above Naqvi's rich electronic palette while Cyrille's Afro-Caribbean-inflected pattern on cowbell and toms grounds the piece in a rhythmic sensibility that feels unexpected within the broader context of the album, adding a distinct pocket to the more abstract electronic and improvisational terrain surrounding it. Downes contributes two solo pipe organ works, "Into the Woods - 3 Weary Calls" and "Closing Meditation for OM," both of which push the instrument into unusual territory, the first dissolving almost entirely into orchestral abstraction.

Produced by Sun Chung and recorded, mixed and mastered by Rick Kwan and Deupree, the production is fully in service of the album's concept. The sonic qualities of each track are distinct, yet the sequencing and craft create a sense of continuity across very different approaches, as though the same idea is being examined from multiple distances and angles.

Peace Anthems arrives as Red Hook Records celebrates its fifth anniversary. Founded by producer Sun Chung in 2021, the label has built a genre-crossing catalog, earning widespread critical recognition along the way. The album's release in July is one of several milestones the label is celebrating this year, culminating in a two-night anniversary concert at Roulette in Brooklyn on September 18 and 19, where artists from across the Red Hook catalog, including several contributors to Peace Anthems, will perform. All proceeds from the sale of the album will be donated to the International Red Cross.

In her liner notes, Moor Mother frames the album's purpose plainly: "In the midst of a multitude of wars raging in many countries, we see the confusion and fear on the faces of many and realize that there is no better time for peace than the present." Peace Anthems offers no simple resolution to that observation, but through twelve original works it maps the varied ways artists can sound out that longing and hold it up to the light.

RICHARD WILLIAMS
THE BLUE MOMENT
"After 414 pages describing Trump’s attempt to drag the world into his own darkness, sometimes two minutes and 15 seconds of music is all it takes to switch the light back on." Read the full review here.

 

 

 

 

 

 

 

 

 

JIM HYNES
POSTGENRE
"Find your own quiet spot. Tune out everything else. Put your headphones on, and be transported to the calm of Peace Anthems. " Read the full review here.

 

 

 

 

 

 

 

 

STEVE WILLIAMS
UK VIBE
★★★★★. Read the full review here.

 

 

 

 

 

 

 

GARY FUKUSHIMA
DOWNBEAT
"Unique as they are,  these artists are united in daring to implicate hope for a better world. In a chaotic zeitgeist, this album can be a momentary respite from the madness, a soothing balm, healing, mediate, peaceful. " Read the full review here.

 

 

 

 

 

 

 

A.D. AMOROSI
JAZZTIMES
"Reveries of righteousness from Wadada Leo Smith, Amina Claudine Myers, Moor Mother and more, produced Sun Chung". Read the full article here.

 

 

 

 

DANIEL SPICER
THE WIRE
“…it largely comes across as a gently optimistic ray of hope.” Read the full review here.

 

FREDERICK CISTERNA
QOBUZ
"Peace Anthems stands out from other multi-artist compilations centered around a theme. What’s most striking about this jazz and jazz-adjacent release—besides the track-by-track excellence and the impressive roster of Red Hook Records recording artists—is the way the varied pieces hang together so well." Read the full article here.

 

 

 

EDITOR
ONE JAZZ
"Thought-provoking and body-moving debut from multi-gen band." Read the full article here.

 

 

 

 

 

 

DAVE SUMNER
BANDCAMP DAILY
"The music is often melancholy, soulful, introspective, as if it recognizes how distant society has grown from that state.” Check out the full review here.

THIERRY DE CLEMENSAT
PARIS MOVE
"...imagination is where every meaningful change begins. Because before humanity builds a more peaceful world, it must first remain capable of imagining one. Peace Anthems reminds us that this capacity still exists.” Check out the full review here.

KURT GOTTSCHALK
THE NEW YORK CITY JAZZ RECORD
“The set is, start to finish, a warm embrace.” Check out the full review here.

PHIL FREEMAN
STEREOGUM
"It’s all got a gentle, drifting vibe, somewhere between New Age music and more aesthetically rigorous minimalism, and the album functions quite well as a journey, not just a grab-bag.” Check out the full review here.