Hanamichi - The Final Studio Recording Vol.II
Release Date: October 24, 2025
Label: Red Hook Records
Hanamichi - The Final Studio Recording Vol.II, is the continuation of the late Japanese pianist Masabumi Kikuchi's final studio sessions. This extraordinary recording—following the critically acclaimed 2021 debut volume—offers seven additional tracks from the same December 2013 sessions at Klavierhaus, New York, presenting what may be the most intimate and revelatory performances of Kikuchi's remarkable career.
Recorded just two years before his passing in 2015, these sessions capture Kikuchi at his most contemplative and expressive, embodying what he called his ability to "lay back" and appreciate his own musicality through "hard-earned, critical distance." The album features his distinctive interpretations of beloved standards alongside expansive improvisations that showcase his unique capacity for abstraction infused with poetic beauty.
The seven tracks on Vol.II span over 43 minutes of music, including Kikuchi's transformative takes on "Manhã de Carnaval," "Alone Together," "I Loves You Porgy," and "My Ship"—songs deeply connected to his formative years as a music student in Tokyo in the late 1950s. Interwoven throughout are three of his signature improvisations, which critic Ben Ratliff describes in his liner notes as "instant ballads from another planet," demonstrating Kikuchi's remarkable ability to create music that moves "not forward toward musical resolutions, but outward."
Produced by Sun Chung, engineered by Rick Kwan, and mastered by Alex Bonney, the recording exemplifies Red Hook Records' commitment to state-of-the-art sound quality. Every nuance of Kikuchi's performance is captured with breathtaking detail—from his delicate pedaling technique to his command of overtones at the margins, creating what Ratliff calls "floating sound and harmony."
Kikuchi's approach to these familiar standards reveals his extraordinary artistic evolution. His performance of "Manhã de Carnaval" features a five-second gap of controlled silence before the eighth note of Luiz Bonfá's famous melody—"long enough for you to imagine another beginning," as Ratliff notes in his comprehensive liner notes. Meanwhile, his renditions of "I Loves You Porgy" and "My Ship" become rare examples of Kikuchi performances with careful arrangements, yet still embody his philosophy of music as "floating sound and harmony" rather than outcome-based exercise.
Throughout his career, Kikuchi consistently defied conventional jazz logic and protocols while maintaining his opposition "without fronting or fighting." These final studio recordings represent the culmination of his artistic philosophy, presenting melodies with sublime clarity and elegance while maintaining a searching quality—as if discovering every note anew. His improvisations are expansive explorations that reveal Kikuchi's remarkable ability to find profound meaning within musical abstraction, all while demonstrating his masterful command of dynamics from the most delicate whispers to powerful declarations.
"I don't have any technique," Kikuchi once told the New York Times, though as these recordings demonstrate, he had developed something far more valuable—his own musical language. His highly idiosyncratic approach, characterized by long silences and a keyboard touch that could be both delicate and combative, created what Ben Ratliff describes as "cloistered originality."
Born in Tokyo in 1939, Kikuchi's musical journey took him from early bossa nova recordings with Sadao Watanabe through collaborations with Gil Evans, Elvin Jones, Joe Henderson, and Paul Motian. By his later years, he had retreated into a more private musical world, recording prolifically in his Chelsea loft—by his own count, more than 50 solo albums—while rarely releasing music commercially.
This music offers listeners something transcendent—a connection to the profound depths of human creativity and artistic achievement. These performances embody Kikuchi's belief that his hands were "connected to his soul," creating music that inspires awe at what human artistry can accomplish.
Hanamichi - The Final Studio Recording Vol.II represents the pinnacle of his musical journey, proving that he never stopped progressing as an artist. The album invites listeners into an intimate musical journey that promises moments of profound expression and deep connection to the boundless possibilities of creative music.
MATT PHILLIPS
SOUNDS OF SURPRISE
"...highly recommended and a fascinating listen." Check out the full review here.
THIERRY DE CLEMENSAT
PARIS MOVE
"Kikuchi’s music, in these sessions, feels suspended, between past and future, between sound and silence. And in that suspension lies the unmistakable voice of an artist who, even now, continues to speak." Check out the full review here.
CRAIG L. BYRD
CULTURAL ATTACHÉ
"The music here is gorgeous." Check out the full review here.
RICHARD WILLIAMS
THE BLUE MOMENT
“...they also distill Kikuchi’s own remarkable essence.” Check out the full review here.
MIKE GATES
UK VIBE
“...it rewards attention with a kind of beauty only possible at the end of a long, searching journey.” Check out the full review here.
VICTOR PIO
SUONO
“A gem that will continue to shed further light over time.” Read the full review in Italian here.
DEE DEE McNEIL
MUSICAL MEMOIRS BLOG
“He has left behind this stunning and emotional solo piano recording to sooth and tantalize the ears of the listener.” Check out the full review here.
VINCENZO ROGGERO
ALL ABOUT JAZZ
“...a treatise on musical aesthetics the likes of which are rarely heard.” Read the full review in Italian here.
DAN McCLENAGHAN
ALL ABOUT JAZZ
“This follow-up is every bit as compelling as its predecessor, in the use of silences, delicacy of touch, juxtaposed with bursts of garrulity—used sparingly—and a floating sound and harmony.” Check out the full review here.
GUY LEMCOE
THE AUDIO BEAT
“...you’ll be rewarded with intensely lyrical playing coupled with musical surprises.” Check out the full review here.
