AfroFuturism
Release date: March 12, 2021
Label: Whirlwind Recordings

Whirlwind Recordings is proud to announce the March 12th release of AfroFuturism, the fifth album by alto saxophonist, producer, and composer Logan Richardson. Richardson’s career has been marked by his deep engagement with the Black American improvised music tradition as much as by his fearlessly open-minded embrace of the contemporary sounds of the global diaspora and his keen gaze towards the future. 

AfroFuturism (his fifth solo album) synthesises all those elements together into a stunningly audacious statement that is epic in its scope while providing a deep, intimately personal view into its creator’s inner life. The core of the album is a series of towering alt-rock/trap/wonky beat soundscapes created Logan’s extensive range of keyboards, synthesizers and programming along with the latest iteration of his Blues People band - Igor Osypov on guitar and Peter Schlamb on vibes and keys, with Dominique Sanders on bass and sharing production duties, and the thunderously virtuosic drumming of Ryan J. Lee and Corey Fonville rounding out the rhythm team. Logan intersperses these with an array of diverse sonic interludes, scraps of found audio, unexpected, limpid pools of introspective strings performed by Ezgi Karakus and quiet glades of hushed balladry from long-time collaborator, vocalist Laura Taglialatela. Over all, his unmistakable keening voice on alto sax provides the constant narrative thread. “I was trying to get back deeper to the core of my artistic voice: using fresh production processes to mix in my interconnected influences and all the sounds I hear, while trying to find a sense of roots.”

The album starts with the voice of Stefon Harris introducing the epic ‘The Birth Of Us’ - a fully through-composed piece for the whole band -“Frank Zappa, Queen, Brian Wilson and Radiohead meets Schoenberg in a sci-fi 80s lounge,” laughs Logan. ‘Awaken’ (from a poem by Logan’s mother) and ‘Sunrays’ (with Laura Tagliatela and Corey Fonville) explore different voice and textual combinations to create enchanting oases of sound: "I was trying to tell a story - a bit about me, but then about us all." ‘For Alto’ is a nod to fellow altoist Anthony Braxton, while ‘Light’ is a ballad featuring Logan duetting with himself - "I’m addicted to ballads - they’re one of the most exposing things," he confesses. ‘Trap’ is just that - Logan’s interpretation of the contemporary Southern-US sound.

A field recording of his great-grandma singing introduces ‘Farewell, Goodbye’ - a vocal elegy, sung by Taglialatela, for the late lamented McCoy Tyner. ‘Black Wall Street’ introduces a fresh, unexpected twist via the lush strings of cellist Ezgi Karakus combining with Logan’s sax to create an oasis of acoustic sound, but the underlying message is sombre, remembering the Tulsa Race Riots of 1921. There’s a burst of found audio narration from Busta Rhymes before the final trio of tunes: the Blues People band return for the muscular ‘Round Up’ a trenchant musical commentary on by the police behaviour during contemporary American protests, Logan and Laura combine with an alternately skittering and lush electronica for ‘According To You’, and then the journey ends with the gospel inspired uplift of ‘Praise You’ - "A song for God, for the earth, the rain, being thankful for the totality."

Logan summarizes: "I always feel strongly about all my projects, but this one was so fluid in the way we produced it and the way the different voices came together. It feels like something truly special." As one of today's most singular voices in contemporary music, with AfroFuturism Richardson delivers not only a hugely impressive statement, but one with a direct and urgent message for the future that is rooted in his own and the larger contemporary Black American state of affairs, while reminding us of his musical unpredictability. One can only imagine what he'll do next.

BRENDA NELSON-STRAUSS
BLACK GROOVES
"AfroFuturism is a departure from the earthbound constraints of traditional jazz, as Logan Richardson imagines a world of wildly diverse sounds and styles that will take listeners to the next dimension and beyond." Read this article here.

 

ADAM BUDOFSKY
ON THE DRUMS
On March 12 Whirlwind Recordings is servicing the physical release of AfroFuturism, the fifth studio album from alto saxophonist, composer, and producer Logan Richardson. (It’s available for streaming now.) Drummers RYAN J. LEE (Diverse, Mezzo String) and COREY FONVILLE (Nicholas Payton Trio, Christian Scott Quintet, Butcher Brown) appear on the album. Read this article here.

 

CHRIS MAY
ALL ABOUT JAZZ
"Much of AfroFuturism's sound is big.." Read the full feature interview here.

ROB SHEPHERD
POSTGENRE
By attaching newer sounds to this elder form, Richardson provides a deeper meaning to the Afrofuturist concept and, in the process, produces an album that is a memorable guidepost for future artists. Read this article here.

 

JIM HYNES
GLIDE MAGAZINE
"Every one of the ever-explorative Richardson’s five albums is distinctly different from each other. He says this about this one, “I always feel strongly about all my projects, but this one was so fluid in the way we produced it and the way the different voices came together. It feels like something truly special.”  Tread into it carefully as it takes more than a few listens to fully absorb it all. It does flow smoothly, and its futuristic vision needs to be appreciated not in bite-sized moments but in its entirety." Read this review here.

 

WULF MULLER
"The albums diverse compositions are enhanced by keyboards, synthesizers and programmed parts, with sound samples used frequently amid heavy grooves. Modern jazz it is, but with a nod to the past. Logan’s alto keeping the album together, binding the various elements into one soundscape of different colours." Read this blog post here.

MATT MICUCCI
JAZZIZ
AfroFuturism is a synthesis of saxophonist/producer/composer Logan Richardson’s deep engagement with Black American improvised music, his open-minded embrace of the contemporary sounds of the global diaspora and his keen gaze towards the future. It is an audacious statement, epic in its scope and featuring the latest iteration of his Blues People band. Read this article here.