La Bruja
Release Date: July 29, 2022
Label: Brontosaurus Records

Versatile vocalist Lauren Henderson expands her sound on her new album La Bruja. Merging mystical themes with familiar melodies, La Bruja is an embrace of Black American Music, highlighting the Afro-Latinx experience and the resilience of women through a spellbinding, 11-track collection of deftly-composed originals and carefully curated Latin jazz standards.

La Bruja takes its name from the Spanish word for ‘the witch.’ On her ninth release as a leader, Henderson gracefully sets out to reclaim an obsolete term historically with a negative connotation. As the United States reaches an apex of contention regarding women’s rights, Henderson’s empowering venture is a chilling reprisal against the governing of women’s bodies, while remaining a triumphant display of Henderson’s signature nuance and silken vocal palette.

She is joined by frequent collaborators Joel Ross on vibraphone, Nick Tannura and Gabe Shnider on guitar, Sean Mason and John Chin on piano, Eric Wheeler on bass and Joe Dyson on drums. La Bruja features several vigorous renditions of Latin Jazz standards, including “Veinte Años,” “Silencio,” and the vulnerable album-opener “Perfidia,” a lyrical message speaking to the light and darkness of an unrequited love.

Though the evocative recording is titled after a medieval figure, its foundation is rooted in the rich history of the African Diaspora and, more specifically, how enslaved Africans in the Americas have notable connections to witches. Henderson dives deep into her musical influences on La Bruja, melding her originals with standards while honing in on her Panamanian, Montserratian and Caribbean roots as well as her upbringing in New England close to the historic Salem, where The Salem Witch Trials took place. “I was surrounded by stories of Women and Black Americans being persecuted for their beauty and strength throughout history,” Henderson adds.

While studying and living in Mexico, Henderson was introduced to a variety of musical motifs that would become essential to her artistic growth and identity. “Mexico lindo remains a pillar of my artistic development,” she notes. Finding value in the art of the vast region of The Americas as a Black Central American herself, Henderson especially fell in love with Jarocho tracks, which we see a glimpse of on La Bruja’s title track.

Henderson’s array of originals includes the serene “Fría,” a melodic chant calling for a lover to come closer and warm their cold heart. Sustained by a pristine rhythm section, the track weaves Spanish lyrics through an entrancing groove and flow designed to grasp the listener. This past Juneteenth, Henderson released her first original single off La Bruja – “Amistad” – named after a Spanish colonial ship in Cuba known for its revolt of enslaved Africans. The sultry and mysterious tune is a fundamental historical connection to the African Diaspora, as Henderson describes, presenting a blend of genres and sounds while her powerful Spanish lyrics reflect on injustice.

Lauren Henderson’s eclectic compositional expression has anchored her musical output over the years and remained principal in her passage to self-discovery. Now, she shares a new perspective, one that shows listeners how to charter our own strengths and fly above oppression. Told fearlessly, the message behind La Bruja is unapologetically sincere, at times seductive and vulnerable at once.

Musa
Release Date: June 11, 2020
Label: Brontosaurus Records

Acclaimed vocalist-composer and lyricist Lauren Henderson returns with her most personal gesture to date. A multilingual rumination on themes of love and longing, Musa explores existing connections — and creates new relationships — among Henderson’s mingling lineages.  

Toward the beginning of the pandemic, the New York artist sought to record an album  braiding together traditions that influence her sound. “I wanted my next record to blend  jazz, flamenco and Afro-Latinx music” says Henderson, “kind of melding all that makes me me, culturally and musical identity-wise.”  

Musa is Henderson's her eighth release as a leader  and features eleven tracks of original compositions and vibrant interpretations of standard tunes, including “I Concentrate on You,” “Wild is the Wind” and Valerie Parks Brown’s, “Forget Me.” Layer by layer, the lattermost title — Musa’s first single release — reveals an undercurrent of intensity pervading Henderson’s expression. Through each satin-swaddled lyric, she intuits dynamic tension and release. Her unrelenting awareness serves every dimension of the music. “I love being a musician because we’re always learning and we’re always growing,” says Henderson, who assembled a deft and dextrous outfit to interpret Musa’s range of identity. “Some of these songs blend jazz, R&B and soul; others incorporate flamenco, so I had to ask, ‘Who would be perfect for this record?’”  

“This is jazz mastery” — DownBeat Magazine 

Core personnel includes Sullivan Fortner on piano, Eric Wheeler on bass and Joe Dyson on drums. When Henderson felt ready to share her music, she went straight to Fortner, her longtime collaborator who has played on all her leader releases since 2011. “Sullivan is the first person I usually go to to share my original music,” she says, “just to get feedback from someone I trust, someone I know will give their honest opinion of what they think about the music.” Following a socially distant duo rehearsal, Henderson set the record dates.  

Throughout the recording, Henderson engages a complexity of both musical and cultural identities, allowing them to influence the direction of the music in a head-on and  multidimensional way. The sound she sought for each track emerged as bold, textural and authentic. After laying down mixes at Flux Studios in Manhattan — under the direction of  studio engineer Daniel Sanint — Henderson sent tracks to extended ensemble members, trumpet player-composer Marquis Hill; electric guitarist Nick Tannura; stage, screen and studio performer Daniel J. Watts; Madrid-based flamenco guitarist Paco Soto; and legendary flamenco percussionist Sabu Porrina. “Paco is an amazing flamenco guitarist,” says Henderson, who met the Spanish artist when she spent a semester abroad in Spain. The two developed a friendship and creative partnership via Instagram, “Like a lot of other millennials [laughs].” 

“Somewhere between a comforting whisper and a cogent declaration” — The New York Times 

“As a composer, I really want to honor honesty and integrity,” says Henderson. “As a  vocalist, it’s my responsibility to deliver a story to the listener and share my interpretation of the story. I just try to be kind of simple with my compositions and let things breathe. It’s been such an honor — and a blessing — to work with the people I’ve been able to call because they add so much life and their own voice to the music.” 

Wheeler casts vivid shadows of tension and tenderness on “La Marejada” as Soto’s guitar radiates across Henderson’s melodies and interludes. Full of grace and syncopation, “Luz” features signature interplay between Henderson and Fortner buoyed by Dyson’s nuanced and reflexive touch. “Wild is the Wind” reveals the impact of intimacy — contemplative, purposeful and engaging a conflux of time feels. The album’s sole English-lyric original  “Leeward” presents a hymn to the enduring nature of love. Hill’s lustrous conversational melody and moments of self-talk call and response serve the mood’s surrender. Porrina joins the ensemble for the album’s title track, providing textural dimension and resonating authenticity.  

Composing for her own sound has taken Henderson on a journey of self-discovery. She found her shy disposition could become the focal point of her music — the most intimate aspect of her expression. “I’m not a belter,” says Henderson. “It’s more nuanced. While intensity is a powerful tool that we can use in a beautiful way and in a positive way, I can be more private at times, and I think I bring some of that to the stage. I’m so grateful for people who take the time to listen. I’m saying more with less and people have to listen to be able to receive it.”  

Classic Christmas
Release Date: November 13, 2020
Label: Brontosaurus Records

Critically acclaimed vocalist, arranger, and musical impresario Lauren Henderson ushers in the holiday season with her newest recording Classic Christmas. This four-track EP finds the “vibrant star singer” (Downbeat Magazine) updating and reimagining a collection of time-tested holiday gems in the company of a top flight rhythm section: pianists Issac Wilson and Sullivan Fortner, bassist Eric Wheeler and drummer Allan Mednard

The songs on Classic Christmas are personal favorites of the singer that have been recontextualized to fit the modern climate. The project opens with Rodgers & Hammerstein’s classic “My Favorite Things”, fit with a modern lyrical update that speaks to inclusivity, intersectionality and representation. As a black woman, and a member of the Afro-LatinX community, Henderson uses her art to share her experiences, and address concerning issues.  “On “My Favorite Things”, I saw an opportunity to reflect my culture and the social climate in the United States by modifying the lyrics,” she said. This approach is also applied to the third track - a haunting rendition of “Once In Royal David’s City” that has been altered to highlight the strength of women and promote gender empowerment. Nestled between those is “Have Yourself A Merry Little Christmas”, which showcases the stunning interplay of the ensemble, and closing out the set is a stirring duet with oft-musical partner Sullivan Fortner on “What A Wonderful World”, a song Henderson hopes “will touch people's souls, especially as we navigate the COVID-19 pandemic.” 

 

The Songbook Session
Release Date: April 24, 2020
Label: Brontosaurus Records

Lauren Henderson's sixth musical alliance with pianist Sullivan Fortner is The Songbook Session. A collection of jazz and Latin jazz standards, this self-produced record paints a story that reflects Henderson’s vast cultural influences - on The Songbook Session, Henderson uncovers the layers of her diverse background in English, Spanish and Portuguese. With the release of this nine-track collection, Henderson and Fortner - a revered duo with over a decade of musical collaboration - continue to mature and develop their collective and respective voices with bassist Eric Wheeler, long time collaborator of Henderson's and Allan Mednard, an expressive and inventive drummer and percussionist. Each of the reimagined arrangements of these classic gems - including “Day By Day”, “Sabor A Mi”, “People Will Say We’re in Love” and “Besame Mucho” - are courtesy of Henderson and Fortner. 

for La Bruja

LEONID AUSKERN
JAZZ QUAD
Read the review in Russian here.

 

CHRIS SPECTOR
MIDWEST RECORD
"Set against a stylish Latin jazz background, this political treatise takes civil rights jazz to a whole nu level." Read the review here.

 

MATT MICUCCI
JAZZIZ
Read the album announcement here.

JAY MILLER
THE PATRIOT LEDGER
"..throughout these 11 songs she achieves a subtle intimacy that makes it seem like she’s right there in the room with the listener" Read the full feature here.

EDITOR
DARK BLUE NOTES
Read the review in Turkish here.

 

EDITOR
WBUR
Listen to the featured song here.

 

ANDREW GILBERT
JAZZ TIMES
"Henderson turns down the volume and makes her own way.." Read the review here.

MORGAN ENOS
GRAMMY.COM
"An American-born singer-songwriter deeply informed by her Afro-Latinx heritage, Henderson experienced dissonance growing up in the decidedly non-diverse town of Marblehead, Massachusetts." Read the feature story here.

for Musa

BRIAN ZIMMERMAN
JAZZIZ
"On Musa (Brontosaurus), her eighth release, Lauren Henderson makes a powerful statement about both her roots and her individuality."  Read this review here.

 

BILL BUCKLEY
SOUL & JAZZ & FUNK
"So back to where we started: little wonder that Lauren Henderson’s ‘Musa’ is all over jazz radio. It’s out now."  Read this review here.

 

 

ALEX HENDERSON
NEW YORK CITY JAZZ RECORD
"Latin music has been having a positive influence on jazz for generations, and Henderson helps keep that time-honored tradition going on Musa." Read this entire review in the June 2021 issue of the New York City Jazz Record here.

 

JIM HYNES
MAKING A SCENE!
"This is beautiful, relaxing and get-close-to-your-significant-other music or private stay-up-late-at-night listening.  Take your choice or try both. You’ll win either way." Read this review here.

 

NATE CHINEN
WBGO
The cool smolder of Lauren Henderson's vocal style can call a handful of references to mind — the visual language of film noir, say, or the image of a sleeping cat curled on a windowsill. A more direct antecedent, as you can hear in this track, might be the musical example of Shirley Horn, who recorded her version of "Forget Me" in 2003." Take Five track feature here.

MATT MICUCCI
JAZZIZ
"This is her eighth release as a leader and her most personal gesture to date, featuring a mix of original compositions and vibrant interpretations of standards." Read The Week in Jazz here.

 

GLENN DANIELS
THE JAZZ PAGE
Read the album announcement here. 

MATT SILVER
WRTI
"Henderson—with boundless idiomatic versatility and impeccable control and intonation in the lower registers—proves herself a force." Read the full review here.

 

JOSE PRUÑONOSA
MÁS JAZZ DIGITAL
Seguramente detrás de esta aceleración no tan solo está la creación y difusión de su pequeño sello discográfico Brontosaurus Records, sino también la labor de un gran equipo comercial encabezado por los productores:  Michael Thurber y el nominado a los Grammy y ganador de un Emmy Mark Ruffin, productores de Alma Oscura y Ármame respectivamente, trabajos estos que claramente marcan el despegue en la carrera de Lauren Henderson, quien en este nuevo lanzamiento del 2021 ha sabido combinar el jazz cosmopolita y sofisticado de la “Gran Manzana” con la esencia del jazz latino de raíces y el “toque español” o Spanish Tinge de Juan Tizol. Para leer mas presione aquí.

 

 

THIERRY DOCMAC
PARIS-MOVE
Read the full review in French here. 

MATT MICUCCI
JAZZIZ
Read 'Musa' featured on the New Release Cheat Sheet here.

DEE DEE MCNEIL
MUSICAL MEMOIRS
"Lauren Henderson’s project is fun, diverse and creative." Read the full review here.

 

GEORGE W. HARRIS
JAZZ WEEKLY
"I don’t know how one gets that indefinable thing called “IT”, but vocalist Lauren Henderson definitely is blessed with that intangible quality of making a lyric speak directly to you." Read the full review here.

ADAM FEIBEL
JAZZFM
"The album is comforting and declarative all at once." Read the full review here.

 

BOB WEINBERG
JAZZIZ
Voicing Opinions: Lauren Henderson and Camille Thurman. Feature article here

 

LEONID AUSKERN
JAZZ QUAD
Read the review in Russian here.

 

for Classic Christmas 

WULF MUELLER
WULF'S MUSIC + BLOG
This stylish and deeply touching EP was recorded with pianists Issac Wilson and Sullivan Fortner, bassist Eric Wheeler and drummer Allan Mednard and the included 4 songs is all you need to get into the festive spirit. Read this article here.

 

NATE CHINEN
WBGO
"The warm, purring tone that Lauren Henderson favors as a jazz singer is, no surprise, well suited for holiday music. Her new EP, Classic Christmaspresents a cozy handful of seasonal staples." Track feature here

 

FRANK-JOHN HADLEY
DOWNBEAT
"Lauren Henderson is blessed with a rich, appealing voice, which she uses with discipline and precision when emotionally investing herself in the music and lyrics of the four songs on this holiday EP, three of which are quartet tunes." Read this review here.

 

MATT MICUCCI
JAZZIZ
The Week In Jazz. New Release Cheat Sheet here

 

for The Songbook Session 

NEIL TESSER
JAZZIZ
"The sparer context enhances Henderson’s soft power, supporting her voice rather than surrounding it. It’s an approach especially well-suited to The Songbook Session’s repertoire of Great American standards, clearly designed to place Henderson in the lineage of classic jazz vocalists."  Read this article here.

 

 

NATE CHINEN
WBGO
"She has a quavering vibrato that can become a small distraction on ballads, but that doesn’t pose a problem here —in no small part because her bond with the trio feels so easy and sure." Read this article here.

 

 

JOE LANG
JERSEY JAZZ
"There are some voices that are immediately welcoming and welcome.  Such is the case with Lauren Henderson...This album clocks in at a little over 42 minutes, and its only shortcoming is that you will wish that it was longer." 

 

ROB LESTER
TALKIN' BROADWAY
"The Songbook Session becomes a trilingual triumph with a bossa nova favorite from the Jobim songbook: a meditation on the song known in English as "Meditation" in its Portuguese guise. Like everything else on this atmospheric delicate delicacy, it sits and sways very much in a comfort zone well worth the visit." Read the full review here.

 

STEPHEN MOSHER
BROADWAY WORLD
"Lauren Henderson is a singer possessing of one of the warmest, most inviting vocal instruments one could be lucky enough to spend 43 minutes listening to,"Read the full review here.

 

 

ALEXA PETERS
DOWNBEAT
"Moving as one fluid unit on The Songbook Session, Henderson and company honor their roots, and the roots of the music they love, without hubris. They enhance these songs only enough to reiterate the repertoire’s ongoing durability and significance in a modern context. This is jazz mastery." Read the full feature here.

 

DEE DEE MCNEIL
MUSICAL MEMOIRS'S BLOG
"This is generally the telltale sign of a super successful, vocal powerhouse."Read the full review here.

 

 

WULF MULLER
WULF'S MUSIC + BLOG
"The groups improvisations, as an ensemble or individual, are faultless and are enhancing each composition. A very promising debut album from a band to watch out for!!!!" Read the full review here.

 

 

TRAVIS RODGERS JR
THE JAZZ OWL
The Songbook Session is Lauren’s third full-length album and it is her best to date. She takes standards from the 30s and 40s and breathes sweet life into them all over again, almost as if we had never heard them before. When an artist can make you forget everything that has gone before, it is something amazing. Such is this album. Read the full review here.

 

ANN ALEX
BEBOP SPOKEN HERE
"...superb musicianship..." Read the full review here.

 

JOHN CHACONA
LET'S CALL THIS
Read the full review here.

 

TOM LUCCI
WICN
"Even though you’ve heard these tunes hundreds of times, these are fresh, exciting, and honest takes." Read the full review here.

 

 

JIM HYNES
MAKING A SCENE
"Henderson is unique among jazz artists for multiple reasons. Her Panamanian, Montserratian, and vast Caribbean roots interplay with her North American upbringing – her eclectic vocal influences spread across genres producing a distinct yet versatile sound." Read the full review here.

 

JAY DANIELS
SIMPLY TIMELESS RADIO
Listen to the full interview here.

 

GEORGE W. HARRIS
JAZZ WEEKLY
"This is how songs are to be sung." Read the full review here.

 

CHRIS SPECTOR
MIDWEST RECORD
"With a straight up sounding combo right in step, this is an enjoyable, out of the ordinary set that respects jazzbo ears looking for the real deal." Read the full review here.