Jonathan Suazo - LYDIALIEBMAN.COM

RICANO VOL. 2: FRUTO DE MI CORAZÓN
Release date: May 8, 2026
Label: Miel Music

Award-winning Puerto Rican saxophonist, composer, and educator Jonathan Suazo announces the release of RICANO VOL. 2: FRUTO DE MI CORAZÓN on Miel Music, the imprint led by acclaimed saxophonist Miguel Zenón. The album arrives as the next chapter in a project that began in 2017, when Suazo coined the word "Ricano" ( a fusion of Puertorriqueño and Dominicano) to describe both a composition and an identity.

Where Ricano Vol. 1 introduced this cross-cultural framework to the world, the second volume deepens it. The subtitle, Fruto de mi Corazón ("Fruit of My Heart") speaks to everything that has shaped Suazo over the past three years: faith tested and renewed, love formalized, and fatherhood arrived. Recorded in mid-October 2025 at Wellspring Audio, with Joshua Lu behind the board, the album captures a man in the middle of extraordinary personal transformation. Suazo's wife, Fabiola Méndez, was weeks away from giving birth to their daughter Cecilia when the sessions took place.

Giovanni Russonello of The New York Times called the first Ricano a "richly built, effusively played Latin jazz, written from the heart and packed with complexity, always seeking the next level of altitude.” That description holds for this follow-up — though the emotional terrain has shifted. The earlier album was an act of cultural excavation. Ricano Vol. 2 is a document of lived experience, with all the weight and warmth that implies.

The album features his core quartet: Francisco Alcalá on drums, Ian Ashby on upright bass, and Zaccai Curtis on piano, with Suazo on alto saxophone and leading every arrangement. The record also features a wide circle of collaborators and guests, including percussionists Kike Serrano and Otoniel Nicolás, vocalist and cuatrista Fabiola Méndez, vocalist Tanicha Lopez, pianists Benito Gonzalez and Edmar Colón, drummer Lee Fish, vocalist Jeremy Bosch, guitarist Dariel Peniazek, and percussionist Paoli Mejías.

Musically, the album continues the cross-cultural conversation that defined its predecessor - Puerto Rican and Dominican traditions channeled through a jazz framework, but with an expanded sonic range, settled into a more intimate quartet-centered approach. The compositions were road-tested over months of live performance before being recorded, allowing the music to breathe and mature in front of audiences. The result is a collection that moves fluidly between intensity and tenderness, complexity and clarity. Rhythms like the Plena, bomba sicá, pambiche, salve, and cuembé anchor the compositions, while the improvisations draw on the language of jazz greats like John Coltrane, Cannonball Adderley, and Kenny Garrett. Key collaborations add depth and dimension throughout: Paoli Mejías appears on congas for "Llamado," a piece inspired by Suazo's formative time with the Paoli Quintet; Fabiola Méndez lends her voice and electric cuatro to “Mi Música Bella” plus “La Magia”, and is joined by Tanicha Lopez on vocals in several other tracks, including the album's emotional centerpiece "Redención", and the extended vocal version of "La Magia” which features vocalist Jeremy Bosch who delivers a cinematic, emotionally precise performance on this extended closer where Dominican and Puerto Rican percussion traditions — played by Otoniel Nicolás and Kike Serrano — converge in powerful rhythmic conversation. The album's arc takes the listener from nostalgic tributes to cultural memory through moments of struggle, love, and ultimately redemption, culminating in "Cecilia," a salve-based composition named for Suazo's newborn daughter.

Jonathan Suazo was named one of the Top Ten Emerging Jazz Artists by the Recording Academy in 2023, and his debut album Ricano was recognized by The New York Times as one of the Best Jazz Albums of 2023. He holds a Master of Music from the Berklee Global Jazz Institute and has received grants from Chamber Music America and South Arts, among other honors. Where the first Ricano asked questions about heritage and belonging, Ricano Vol. 2 offers answers — not in words, but in the lived honesty of the music itself. It's an album that reflects growth, family, culture, and faith, all distilled into a sound that feels both timeless and urgently present.

RICANO
Release date: August 4, 2023
Label: Ropeadope

The masterful Puerto Rican saxophonist and composer Jonathan Suazo's formal debut album is RICANO.

All About Jazz has glowed: “Three vastly different ideals — rhythmic agility, soaring grace, and barbed blowing — all merge under Suazo's mouthpiece.” Avant Music News called his playing “compelling.“ A strong command of the jazz language, limitless imagination on his improvisations, intensity in both emotion and technique,” opined LatinJazzNet. Ahead of RICANO, GRAMMY.com declared him one of “10 Emerging Jazz Artists To Watch.”

Suazo calls RICANO “an original Afro-Caribbean experience” that deals in themes of “exploration, integration, community, education and self-acceptance.” The title is a tip of the hat to Suazo’s dual heritage; it fuses the words Puertorriqueño and Dominicano.

RICANO also features an array of special guests from the highest echelon of the global jazz scene: saxophonists Miguel Zenón and David Sánchez, percussionists Enrique “Kike” Serrano, Florentino “Magic” Mejía, and Otoniel Nicolás, cuatrista and singer Fabiola Méndez, singer Tanicha Lopez, bassist Ricky Rodriguez, cuatrista Christian Nieves, pianist Josean Jacobo, rapper Emil "El Hijo de Borikén" Martínez, and many more.

Suazo threads each track on the album with enveloping chants, curiosity-piquing lyrics and elements of dance and improvisational elements — all inseparable from the traditions of Puerto Rico and the Dominican Republic. As Suazo explained to GRAMMY.com, the period of self-reflection that culminated in RICANO began during his time at the Berklee Global Jazz Institute, when he took several research trips to both islands.

"I started doing a deeper dive into my roots as an important exercise to find something in the source of your identity that can carry the rest of your career forward," Suazo explains of his time at the Global Jazz Institute. "Something that I personally identify with that can be translated into music." As such, each composition on RICANO pays homage to Puerto Rico and Dominican Republic through standalone representations and unique combinations of both island’s musical traditions.

The sumptuous opener, “Somos más que tú,” is a tribute to the late cultural leader Tito Matos, inspired by the plena genre of music native to Puerto Rico. The title translates to “We are more than you.” “Meaning that we are more than any oppressor or corrupt politician,” Suazo says, “that comes into power and aims to produce pain on our people.” This message is powerfully expressed by the original lyrics sung by Emil “El Hijo de Boriken” Martinez.

Inspiration-wise, the robust “Héroes” switches islands; it’s derived from the sounds of Dominican salve, “I’ve dedicated this one to Enerolisa Nuñez and her daughter Yeni Nuñez, two leaders from the community of Mata los Indios,” Suazo underlines. “I consider them heroes for keeping this tradition alive for many generations”.

“Esperanza pa’ mi pueblo” dances atop the Afro-Puerto Rican cuembé rhythm. “It’s mean to instill joy. A friendly reminder that there is hope in the smallest and largest details,” Suazo expresses, with a cheeky addendum: “Hopefully it can land in the ‘make my day better’ playlists of folks out there.”

The tranquil yet gripping “Verde Luz” is something of a second national anthem for Puerto Rico; on RICANO, Suazo gives it his personal spin. “I decided to split the arrangement into a meditative side with Tanicha Lopez on vocals and a harder hitting side in quartet format,” Suazo says, “to fully express the intensity of that separation from my homeland the the original lyrics by El Topo speak of.”

For years, Suazo has been enraptured by Afro-Domincan music ; “AFRO DOMI” is deeply informed by the commingling of binary and ternary elements within this tradition. “At its core, the composition is a rhythmic study based on the high and low pitches found in the main pattern of palo,” Suazo says; Zenón appears to give the tune iridescent hues.

“Don’t Take Kindly” is hung on what Suazo calls a “slightly broken” waltz-time feel, fused with a modified Puerto Rican Yubá pattern. Featuring compelling vocals from Tanicha Lopez and Génesis Dávila, as well as a dazzling bass solo from Ricky Rodriguez, the composition is charged with the rage Suazo felt upon encountering racist treatment when he moved to Boston.

“We don’t take kindly to being treated like this is the phrase that I kept repeating in my head when I wrote this,” Suazo reveals. “This track is my way of expressing this anger in a healthy way.”

Further plumbing the complexities of racial identity and political strife is “Ser de Aqui,” about “the constant challenge that being from Puerto Rico brings to the table due to the archipelago’s conflicting colonial status.” The tune draws its energy from the Puerto Rican jíbaro style called aguinaldo lamento; the lyrics by Fabiola Méndez reflect on the bottomless complications of the diaspora.

“Seguimos Luchando” shifts focus from the macro to the micro; it speaks to the power of the individual against oppression. The David Sanchez featuring track combines Dominican congo and Puerto Rican sicá, and incorporates a sample of a galvanizing speech by Puerto Rican nationalist Dr. Pedro Albizu Campos.

“Dharma” highlights the Puerto Rican bomba rhythm known as Yubá, which Suazo characterized as “a ternary rhythmic pattern that's very rich in musical vocabulary” The word dharma means ‘purpose in life,’ and I wrote this piece contemplating on my mission on this earth.”

RICANO concludes evocatively with “Amapola,” originally written by the Dominican musical titan Juan Luis Guerra. On the track, Suazo threads Dominican pambiche and salve through a captivating and emotion-forward soundfield.

The closing track ’s just another example of what Suazo does throughout RICANO, and has done throughout the buildup — he acknowledges his ancestry with intelligence, vulnerability and heart. Best of all, those building blocks are only a foundation for untold, unfettered evolution.