Still I Rise
Release date: July 10, 2020

Under the direction of trumpeter, composer, and arranger Derrick Gardner, Big dig! Band is a classic jazz orchestra - spectacular saxophone, trombone, and trumpet sections, studded with world-class musicians are anchored by a rock-solid rhythm section. For Still I Rise, Gardner has gathered musicians from all over North America, and together their depth of experience delivers this seven-track collection of originals with dazzling energy, skill and sophistication. Derrick—an alumnus of the Count Basie Orchestra and an heir apparent to Frank Foster—is joined by his brother Vincent Gardner on trombone, alongside saxophonists Mark Gross, Greg Gatien, Rob Dixon, Tristan Martinuson and Ken Gold; trumpeters Bijon Watson, Jeff Johnson, Curtis Taylor and Andrew Littleford; trombonists Joel Green, Anthony Bryson and Bill Green; pianist Zen Zadravec, bassist Luke Sellick, guitarist Kasey Kurtz and drummer Curtis Nowosad. First dreamed up in 2014 with co-leader Steve Kirby, the Big dig! Band takes its name—and its retro black-and-white aesthetic—from dig! magazine, a bi-monthly publication designed by John Funk which thrived under Steve’s care for over a dozen years.

The senior members of the Big dig! Band have deep connections to some of the most important jazz orchestras in history. Derrick’s brother, Vincent Gardner has played with the Jazz at Lincoln Centre and Count Basie Orchestras, and is the artistic director of the Jazz Houston Orchestra. Mark Gross played in the Duke Ellington Orchestra while Bijon Watson has worked with the Gerald Wilson and Clayton-Hamilton Jazz Orchestras. Rob Dixon has played with the Maria Schneider Orchestra and the Illinois Jacquet Big Band. These musicians, along with Zen Zadravec, Curtis Taylor, and others, have chalked up credits with a veritable who’s who in jazz, from the Marsalis brothers and Dianna Krall to Gregory Porter, Nicholas Payton, James Carter and Benny Golson.

Since his arrival in Winnipeg in 2011, Derrick has held the Babs Asper Chair in Jazz Trumpet at the Desautels Faculty of Music at the University of Manitoba, and has instilled a love for the art form in countless students. Several of the members of the Big dig! Band—Luke Sellick, Curtis Nowosad, Tristan Martinuson, Anthony Bryson, and Kasey Kurtz—are alums of the Jazz Studies program, and are establishing themselves in New York and elsewhere. Manitoba artists Greg Gatien, Ken Gold, Jeff Johnson, Andrew Littleford, Joel Green, and Bill Green, all members of the Winnipeg Jazz Orchestra, round out the band.

Still I Rise not only showcases Derrick Gardner’s formidable skill as a trumpeter, but also his finesse as a composer and arranger. Featuring blues tunes to extravagant show-stoppers to languid ballads, Still I Rise displays Gardner’s ability as a bandleader to open spaces for not only his star players but his trailblazing youngsters to take center stage with inspired soloing. 

The album opens with “Push Come da Shove,” a C-minor blues with an extended form laid over a rhythmic pedal point. The arrangement features a standout trombone section inspired by the left hand of legendary pianist McCoy Tyner as recorded on Coltrane’s “Resolution” from A Love Supreme. While the title track is dedicated to African-American poet, singer, and civil rights activist Maya Angelou, “Soulful Brother Gelispie” is dedicated to drummer Randy Gelispie, one of the unsung heroes of jazz drumming. “Melody for Trayvon” is dedicated to the African American teen Trayvon Martin, whose senseless 2012 slaying initiated a firestorm of riots and protests over gun violence. “As a composer and a student of human history, I see my music as a kind of activism. I’m invoking sadness, solemnity, and anger in the minor tonality and the weight of the orchestration—I want to create an empathic response that will move us toward eliminating this kind of sanctioned brutality,” says Gardner.  

“Blues à la Burgess” is dedicated to the composer’s father Burgess Gardner, an accomplished jazz trumpeter and Derrick’s biggest influence. “My father is one of the bluesiest musicians I’ve ever heard—he’s able to find the blues in any and every tune he plays.” Compositionally, the tune is based on a phrase taken from one of Burgess’s solos. After “8 Ball, Side Pocket,” which is a contrafact based on “Corner Pocket” by the great guitarist Freddie Green, the album is brought to a close by the “hodgepodge bouquet of chaos” found in “Heavens to Murgatroyd!,” which takes its humorous title from the Hanna-Barbera cartoons of Derrick’s childhood. On the digital release of Still I Rise, fans are treated to three extra tracks: “To Whom it May Concern”, “One Thing Led to Another” and “DAAAYUUUM”. While “To Whom it May Concern” was composed as a jazz waltz with a bass feature - reminiscent of Ellington’s “Jack the Bear” and Oscar Pettiford’s “Tricotism” - “One Thing Led to Another” is a slow bossa nova in the style of  Antonio Carlos Jobim. Featuring an illuminating horn section, the compositional foundation of “DAAAYUUUM” lies in a blues melody that runs through the whole tune.

Still I Rise is a sleek, powerful and swinging project, maintaining a current and fresh delivery throughout. Beneath the skilled surface, displayed by each member of this eighteen-piece big band is a driving energy which is both musical and political. 

Derived from liner notes by Charlene Diehl, Associate Editor of dig! Magazine
For more information on this release, visit www.StillIRiseAlbum.com
www.derrickgardnermusic.com 

Track Listings

Physical:

  1. Push Come da Shove
  2. Still I Rise
  3. Soulful Brother Gelispie
  4. Melody for Trayvon
  5. Blues à la Burgess
  6. 8 Ball, Side Pocket
  7. Heavens to Murgatroyd!

Digital:

  1. Push Come da Shove
  2. Still I Rise
  3. Soulful Brother Gelispie
  4. Melody for Trayvon
  5. To Whom It May Concern
  6. One Thing Led To Another
  7. Blues à la Burgess
  8. 8 Ball, Side Pocket
  9. DAAAYUUUM
  10. Heavens to Murgatroyd!

BRENDA NELSON - STRAUSS
BLACK GROOVES
Derrick Gardner proves himself to be a master composer and jazz trumpeter on Still I Rise, offering extremely complex and inventive arrangements that can be appreciated at many levels, while the incredible musicianship of the Big dig! Band is the icing on the cake. Read this review here.

 

DAVID WHITEIS
JAZZTIMES
"Gardner is savvy enough to use the electronics as novelty gimmicks and let the “real” instruments take care of the music—which is, after all, what we came here to “dig!” in the first place." Read this review here.

 

TED PARKINSON
THE WHOLENOTE
"Gardner’s orchestrations are expressive and contain full-on band sections as well as more restrained segments. All pieces are between seven and 15 minutes which gives the soloists time to stretch out so we can hear their individual personalities. Still I Rise swings from beginning to end." Read this review here.

 

DARRYL YOKLEY
OCCHI MAGAZINE
" Striving to set a new standard in the Winnipeg area, where Derrick teaches, the band has workshopped the music in the spirit of the Mingus big band perfecting it into the well-oiled machine that we hear on this recording." See this full interview here.

 

JONATHAN BLACKMAN
OCCHI MAGAZINE
"Derrick Gardner has stood among many giants of the past and his contemporaries of today as one of the greatest trumpeters, composers, and arrangers, and yet he continues to still rise to new heights of artistic expression and I have no doubt we will be seeing more beautiful works from the maestro in the years to come.  We can only hope it’s sooner than later!" Read the article here.

JACK BOWERS
ALL ABOUT JAZZ
"In other words, it isn't hard to dig! this band, which thrives on Gardner's generally sunlit and likeable charts as it implants a smile on the listener's face. As a result, Still I Rise has risen to the crest of recent big-band enterprises and is undoubtedly admiring the view."Read the article here.

MATT SILVER
KRTI
"Musically, Still I Rise is a testament to Derrick Gardner’s prowess as a composer and arranger; atmospherically, the album is playful and nostalgic but, by turns, also mournful and politically earnest—this from an artist who views his music as “a kind of activism.” Read the article here.

 

PETER VACHER
JAZZWISE
"...This is orchestral jazz of high quality. Recommended."

KEITH BLACK
WINNIPEG FREE PRESS
" This is big band music that conjures memories of latter-day swinging albums, shades of the Winnipeg Jazz Orchestra and several European large ensembles. ★★★★ out of five" Read the full review here. 

 

CHRIS SPECTOR
MIDWEST RECORDS
 "A super sold big band extravaganza, this is as solid as it gets. Well done." Read the full review here.

 

JIM HYNES
MAKING A SCENE!
 "Powerful and swinging with the right balance of political and musical." Read the full review here.

 

MATT MICUCCI
JAZZIZ
"This powerful and swinging album – dedicated to artist/civil rights activist Maya Angelou – also showcases Gardner’s prowess as an expansive composer and arranger." Read the full feature here.

HRAYR ATTARIAN
CHICAGO JAZZ MAGAZINE
"- although inspired by his predecessors—has created a brilliant work that reflects his own individuality and creative vision." Read the full review here.

 

MIKE GREENBLATT
GOLDMINE MAGAZINE
"The whole album is an action-packed big-band soiree of pulsating proportions." Read this review here.

 

MIKE FLYNN
JAZZWISE
"This powerful contemporary jazz big band blast through a stunning track from their acclaimed debut release." VIDEO OF THE DAY feature here