Words From My Horn
Release Date: June 9, 2023
Label: Outside In Music
Words From My Horn is the debut album by trumpeter and composer Anthony Hervey. Hervey, who was recently chosen as one of Grammy.com’s 10 Emerging Jazz Artists To Know in 2023, has impressed audiences across the globe as a first-call sideman for luminaries such as Christian McBride, Jon Batiste, Michael Bublé, and Wynton Marsalis who described Hervey as a “beautiful trumpet player of the first magnitude.” The 12-track debut, as soulful as it is cerebral, presents the trumpeter’s compositional voice through personal, musical, and spiritual memories. Produced by powerhouse drummer Ulysses Owens Jr., Words From My Horn features Hervey’s soaring trumpet alongside alto saxophonist Sarah Hanahan, pianists Isaiah J. Thompson and Sean Mason, bassist Philip Norris and drummer Miguel Russell.
Words From My Horn justifies the notion that sound is lived experience. In effect, the storybook quality of Words From My Horn distills a sonic vantage point of the trumpeter’s life. Thematically, the album meditates on the impact Hervey’s mother and grandmother had on his upbringing, his birthplace of Terre Haute, Indiana and the concept that hope can prevail in the face of harsh realities.
Musically, Words From My Horn is far-reaching. Hervey sets out to embrace the full breadth of the Jazz idiom from its earliest influences to the present. He marries a classic Blue Note-influenced sound with decidedly modern harmonic sensibilities and melodic explorations. The album makes great use of Hervey’s supple tone and stunning improvisational facility to weave tales of adversity, transcendence, faith and hope. With heavy helpings of both blues and gospel influence, the artist taps into an impassioned place with each of his bandmates.
The album begins with “Crystal Stair,” calling upon a famous line in the Langston Hughes poem “Mother to Son”, which reads “Well, son, I’ll tell you: Life for me ain’t been no crystal stair.” Hervey dedicates the tune to his mother, who imparted a similar wisdom to the young trumpeter. “I owe her not only my life, but also my trumpet, my music, and who I am,” Hervey adds. The album continues with “The Rust From Yesterday’s Blues,” the first of its four blues songs. “[The] blues acknowledge the hard realities of living while maintaining a sense of hope for tomorrow,” Hervey remarks. “The Glider,” a blues song in a major key, was written while Hervey sat behind the piano at his grandparents’ home in Indiana: “When I visited in the summer, they had a glider on the porch where we would sit and watch cars go by.” “The Glider” is a reflection on soulful times, the feeling of being home and memories we can have of those we love.”
“Afro Power” celebrates Black style and pride and an ode to Hervey’s first year in New York when he had what he describes as an “immaculate Afro”. Punningly also alluding to hair, “Du-Rag” is a contemporary take on the Rag form that blends elements of stride piano, gospel and blues. Influences of Scott Joplin, James P. Johnson, Louis Armstrong, and Earl Hines resonate throughout, transporting ragtime to the modern day.
Momentarily placing his trumpet aside, Hervey demonstrates his vocal prowess on “Smoky Cloud,” which lyrically depicts an early memory with his grandmother. The group delivers an affecting rendition of the classic gospel hymn “His Eye is On the Sparrow,” which Hervey cites as an agent of his grit and perseverance in dark times. This spirit of hope is what leads to “Better Days,” a bright-tempoed blues on which Hervey discharges a stirring solo.
A salute to Indiana, “Dreams From the Crossroad,” references the intersection of Routes 40 and 41 in Hervey’s hometown Terre Haute, an intersection known as the “Crossroads of America”. The piece reflects on the intersection of dreams, optimism and decisions made that led the artist through passages where his dreams became realities. Concluding with “Words From My Horn,” the title track reinstates Hervey’s mantra that when words fail, music speaks; “I want my sound to be like a spirit, changing people’s hearts and minds, as well as uplifting and inspiring them through jazz.”
Words From My Horn
"Whenever Anthony Hervey picks up his trumpet, he does so donning a charm reading a simple phrase: 'When words fail, music speaks.'" Named one of 10 Emerging Jazz Artists To Watch in 2023. Full feature here.
THIERRY DE CLEMENSAT
"One can feel the joy of writing, the arrangements, and a sense of humor in the playing of this composer/trumpeter, and the pleasure remains intact from the beginning to the end of this album." Read the review here.
NEW YORK CITY JAZZ RECORD
"Hervey has it all: technique, compositional skill, historical scope and creativity. The most inspiring aspect of his music, however, is its earnest spiritual and intellectual clarity." Read the review here.
DEE DEE McNEIL
"Anthony Hervey’s horn is like dancing feet, quickly taking over the spotlight and shining brightly." Read the review here.
"The trumpeter’s first outing features an impressive array of original compositions showcasing his range and interest. Yet, it is his foray into the blues register that will make one excited about this arrival." Read the review here.
BEBOP SPOKEN HERE
"So, I belatedly gave it a listen and quickly realised that DB had sold it half a star short! This is very much 'inside'. How could it not be with a trumpet/piano contemporary ragtime duo track (Du-Rag), a soulful muted take on But Beautiful, a vocal and some post hard-bop blowing from Hervey and Hanahan." Read the review here.
GEORGE W. HARRIS
"He grabs your attention via a hip solo intro to a funky “Neither Here Nor There” and asserts himself as a bopper with clear lines with Hanhan on “Crystal Stair”." Read the full review here.
D. OSCAR GROOMES
O'S PLACE JAZZ MAGAZINE
There’s nothing better than Young Lions playing fresh, modern jazz at a blistering place. Anthony Hervey serves up a wealth of good music on Words From My Horn, his debut performance produced by Ulysses Owens Jr. Pianists Isaiah J. Thompson and Sean Mason, bassist Philip Norris, saxophonist Sarah Hanahan, and drummer Miguel Russell flesh out the band. They cook on all fronts! It’s not all break-neck pace as evidenced on the midtempo “Afro Power” and “The Glider”. Hervey is off to a great start.
"A listen that touches on jazz from the earliest versions to the most current, Hervey and company make music that is as creative as it is timeless." Check out the full review here.