By Stephen Graham, Marlbank

“What appeals here? A combination of factors. Mark Isham’s work from his tenure with Van Morrison on such beautiful albums as Into the Music I know and like, Isham’s own classic modal mastery displayed on Blue Sun I used to play to death, and most topically the trumpeter-composer’s film work with Craig Harris recently on Judas and the Black Messiah..” Read the full review here.

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