by Dee Dee McNeil, Musical Memoirs

JOHN MINNOCK – “RIGHT AROUND THE CORNER” Independent Label

John Minnock, vocals/composer; Tony DePaolo, guitar; Enrique Haneline, piano/fender Rhodes; Carlos Mena & Will Woodard, bass; Pablo Eluchans & Diego Voglino, drums. SPECIAL GUEST: Dave Liebman

This CD is a delightful surprise. On the first track, after a short, interesting introduction that features the tinkling upper-register piano notes of Enrique Haneline, I did not expect to hear a vocalization. I presumed this was an instrumental album. Enter John Minnock. On “Get Happy” I experience a totally unique production of a popular Harold Arlen/Ted Koehler tune. Minnock’s expressive tenor voice floats beautifully above the unusual track. It’s jazzy in a very classical mode. This complete project, is fresh, creative and inspired.

The original composition, “Right Around the Corner” moves us from jazz to the Broadway stage. Minnock is a strong and powerful vocalist. That sweet tenor that caressed “Get Happy” disappears and becomes a powerful baritone vocal on this song. It unexpectedly turns the mood and comfort level of this recording towards a new direction. This is followed by, “Do You Know What It Means?”, the song that celebrates New Orleans and showcases Minnock’s emotional and tender vocal delivery once again. It’s arranged as a ballad. John Minnock obviously admires Tony Bennett. I hear his influence during this production, and that’s meant to be a definite compliment. I love pianist Enrique Haneline, whose contributions to this musical endeavor are brilliant. Also, special guest and outstanding reedman, Dave Liebman, lends awesome credibility and challenge to this project by putting the ‘J’ in jazz. On “New York, New York” (composed by Jay Brannon & featuring Liebman on saxophone), the arrangement is reminiscent of John Coltrane’s “My Favorite Things”, but the vocals reflect a Broadway musical. Strange! Strange because this artist has the voice and style to have become a Tony-Bennett-strong and emotionally believable artist on this arrangement. However, he misses the mark. Perhaps because he needs a jazz producer who could have brought out the best of his obvious talents, directing him to stay true to a more jazz directed vocal and to match the amazing track created by his musical ensemble.
That being said, this is clearly an album mixing various musical styles inclusive of Cabaret, boisterous Broadway and straight-ahead jazz, as well as tender ballads. Speaking of tender ballads, Minnock and his accomplished pianist have co-written “Are We All Alone?” It’s a beautiful composition and sung with sincerity and poignant emotion. In the same jazzy mode, “Moon River” is produced as a Latin-flavored medium-tempo’d arrangement and features the talented Tony DePaolo on guitar. Minnock reminds me a wee bit of Al Jarreau on this vocal presentation. However, I have to say that Minnock,(although influenced by some of our jazz icons) definitely has his own unique style and sound. His sincerity and his ability to transmit an emotional presentation inside the restrictive walls of the recording studio is to be commended.

I’m touched by his awesome presentation of “You Don’t Know What Love is.” His triple tempo on the blues song “Love Being Here with You” turns it into a straight-ahead, Lambert, Hendrix & Ross type production that swings hard. On this recording, Minnock shows us he can sing it all. He is clearly an artist who pushes the boundaries of music and art with his vocal instrument.

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