Dee Dee McNeil, Musical Memoirs Blog
How would music sound if you were writing to entice your soul to stay put inside your body? That is one thought that inspired Gabriel Zucker, a pianist and composer, when he began working on this piece of art. As a multi-instrumentalist and deep thinker, Zucker has become one of the prominent voices on the New York avant-garde scene. In addition to using music to delve into his inner most mind questions and considerations, Zucker is a Yale graduate and a Rhodes scholar. Part 1. Of this CD (which is divided into three suites of music) is titled ‘Soul’. Part II. is labeled ‘Appointments’ and the third part is titled, ‘Stones.’ The ‘Stones’ theme may have been garnered from a novel called “The Flamethrowers” by Rachel Kushner. In it she writes:
“…a tribe his father had told him about, deep in the Amazon of Brazil, … weighted themselves with stones so that their souls would not wander away. … It became an obsession for him as a boy, this idea of people trying to keep their souls from escaping.”
I explain this because I think the reason for Zucker’s music is important to understand. Certainly, the premise may be easier to comprehend than the music itself. In listening to ‘free’ music, that is composed to allow the individual musicians to freely explore their creative improvisations, it’s not always easy to comprehend. This music is like impressionism art or abstract art. It’s experimental and difficult to describe.
Zucker may have coined it best by saying, “Like most of my work, “Weighting” is long and not exactly a light listening experience. But at its best, it should draw you in to move at the same speed it does.”
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