Ron Schepper, Textura Each of the six track titles on Phil Schurger’s second ears&eyes Records release, The Waters Above, holds special significance for the guitarist. For instance, “Anikulapo,” a Yoruban word meaning “He who carries death in a pouch,” resonated with Schurger because of several early brushes he had with death, experiences that crystallized for him … Read More
Month: October 2018
REVIEW: Argonauta (Italy) Reviews Rob Clearfield’s “Wherever You’re Starting From”
Roberto Binda, Argonauta Magazine Un rifugio, uno spazio intimo dove rifugiarsi dal caos della metropoli. Un luogo della memoria, dove tornare e riappropriarsi di quello che nella frenesia del vivere quotidiano rischiava di essere smarrito. Cose importanti come la semplicità e la spontaneità, che per quanto in una dimensione individuale ti rendano più vulnerabile, sono … Read More
FEATURE: Downbeat’s December Woodshed Features Geof Bradfield
REVIEW: The Wire Reviews Charles Pillow’s “Electric Miles”
OUT TODAY: Vocalist Kris Adams Remembers Steve Prosser on “We Should Have Danced”
Jazzbird Records is proud to release Kris Adams’ long-awaited fourth album We Should Have Danced: The Music of Steve Prosser. Featuring Adams’ original lyrics and arrangements by pianist Tim Ray, We Should Have Danced is a deeply personal, poignant collection of music featuring the compositions of the late Steve Prosser, Adams’ former husband, for chamber … Read More
REVIEW: Midwest Record Reviews Gene Ess’ “Apotheosis”
Chris Spector, Midwest Record GENE ESS/Apotheosis: The jazz guitarist that’s been making some compelling records for a while now veers off to a spiritual track saluting those who endure. The music is more inner directed than past releases but no less accessible and doesn’t trail into new age territories. A different kind of set that … Read More
REVIEW: Jazz Views UK Reviews Geof Bradfield’s “Yes, and…Music for Nine Improvisers”
Chris Baber, Jazz Views The liner notes, by Neil Tesser, provide a nice argument about how improvised comedy and jazz share so much in common. The reason for this is that the title ‘yes, and…’ comes from a set-up for improv comedy; one person makes a remark and then next person has to agree with … Read More
REVIEW: Jazz Weekly Reviews Jeff Siegel’s “London Live”
George Harris, Jazz Weekly Drummer Jeff “Siege” Siegel brings his quartet of Erica Lindsay/ts, Francesca Tanksley/p and UliLanghthaler/b to London for a 2010 gig at the Pizza Express Jazz Club. Siegel uses his sticks, brushes and parts of the drum kit to guide and coax the band to excellent effect. His cymbals create a nice … Read More
REVIEW: JazzTimes Reviews Geof Bradfield’s “Yes, and…Music for Nine Improvisers”
Dan Bilawsky, JazzTimes The acts of spontaneous creation and development associated with improvisational theater are clearly homologous with the ideals of jazz. Sometimes it just takes a supremely creative spirit like saxophonist/composer Geof Bradfield to illuminate that fact. Alternating between numbers featuring different trio configurations and works for nonet, Yes, and … Music for Nine Improvisers highlights … Read More
Keyon Harrold’s Multinational Fall/ Winter Dates: Headliners, Festivals & Panels
Listed by Rolling Stone as one of “10 New Artists You Need To Know Now”, the revolutionary Keyon Harrold is proud to close 2018 with the announcement of several performances and appearances! With dates in San Diego, San Francisco, New York, Seattle, Philadelphia, Paris, Israel and South Africa, the self-described “social music activist” and trumpeter … Read More