Blue Dawn - Blue Nights
HighNote Records
Street Date: August 30, 2019

On his twenty-second recording as a leader, Philadelphia-born trumpeter and bandleader, Wallace Roney is thrilled to be leading his band with the next generation jazz innovators: saxophonist Emilio Modeste, pianist Oscar Williams II, bassist Paul Cuffari, and his fifteen year old nephew, drummer Kojo Odu Roney. On Blue Dawn - Blue Nights, Roney is the icon to these up-and-comers and he augments this band by enlisting Philly guitarist Quintin Zoto and legendary drummer Lenny White. With exceptional sterling sound by engineer Maureen Sickler at the board of Rudy Van Gelder’s legendary New Jersey studio, the leader’s bold and bravura trumpet tones, are as vivid and vibrant as ever, with a resonance as riveting as it is radiant, buoyed by the dancing and dynamic drumming of Kojo and White, Cuffari’s bone-deep bass lines, Williams’ poetic and profound pianism, Zoto’s lean guitar lines and Modeste speaking no evil on sax. 

“My music is uncompromising so I look for musicians who have an expansive understanding of what’s possible and who have the ability to play above that, but who are always cognizant of what’s going on around them,” Roney says. “I tell them ‘be true to who you are. Go all the way in, learn every part of what the masters have done, but let it come out you’.”

Emilio Modeste is already one of the world’s best young tenor players, and on this record he unleashes serpentine-fired solos that encompass Dexter Gordon’s long, tall tones as well as Wayne Shorter’s and John Coltrane’s multiverse imagination. Oscar Williams II is a thirty-one year old, Kansas City blend of Thelonious Monk’s angular artistry and Keith Jarrett’s inspired improvisations. On his first interaction with the pianist, Roney recalls: “He had beautiful touch and a scope of understanding. He was shy but I could hear that innovative spirit in him--that’s why I hired him, and I never looked back” Next to take his deserved place on the bandstand is twenty-year-old Paul Cuffari. Affiliated with the likes of Mark Johnson and Enoch Smith, Jr. the youngster regards Paul Chambers and Ron Carter as two of the leading lights who have inspired both his foundation and development. Introduced to the New Jersey bassist by Williams, Roney admired his beautiful tone--“he had the fundamentals down, but he was also willing to step out on the ledge without sacrificing the thing that holds the music together: big, beautiful bass sound.” Last, but by no means, least is Kojo Odu Roney - a fifteen year old drummer of incredible ability and potential.

On Blue Dawn - Blue Nights, Roney made a conscious decision not to include any of his own compositions. Reflecting upon the track selection for the album, the bandleader wanted to “give the guys a forum to write and make a statement. I’ve always done that. They come up with something, and I might say, ‘let’s go here, or do this here.’ And by showing them certain things, it extends their knowledge of what can be done musically. And that’s what I do!” Indeed, Wallace Roney proves that being true always make the best leaders.

 

More About Wallace Roney

Wallace Roney has been a significant force on the scene ever since he emerged at Ali’s Alley at the age of sixteen with Philly Joe Jones. Roney has been featured on some impressive work with McCoy Tyner, Dizzy Gillespie, Elvin Jones, Chick Corea, and Ornette Coleman. Roney has secured a place in jazz history as a member of VSOP. As a member of Tony Williams Quintet, Wallace took on the responsibility of infusing the band with his fire and innovativeness and won the attention of his idol, Miles Davis. His long-standing association with the jazz icon culminated in the recording of the Grammy award-winning, Quincy Jones-conducted, Miles and Quincy Live at Montreux

“I was fortunate to have learned from Miles Davis, Tony Williams, Art Blakey and Dizzy [Gillespie],” Roney says. “Horace Silver was another important person in my life who rarely gets the credit he is due and there was Woody Shaw, Herbie Hancock and Wayne Shorter and Clark Terry.”

 

Derived from liner notes by Eugene Holley, Jr. (DownBeat, Publishers Weekly, Hot House, Chamber Music)

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Management Contact: Vernon Hammond: The Management Ark: vernon@managementark.com

JOHN MURPH
DOWNBEAT
"Without overhauling his sound, trumpeter Wallace Roney’s music remains fresh, and his latest disc, Blue DawnBlue Lights evidences its quintessential vivacity." To read the full feature click here.

 
 
 

EUGENIO MIRTI
JAZZIT MAGAZINE
The disc contains eight original songs that demonstrate the leader's excellent compositional skills and the great level of harmony among the group. To read the full review click here.

STRAIGHT NO CHASER
"But Wallace has moved from beneath the shadow of Miles Davis to become his own uncompromising musician. Whether touring and recording with old friends like Lenny White, Patrice Rushen and Buster Williams (A Place in Time), or  building new extended bands to bring to life Shorter’s long-shelved masterpiece "Universe", Roney has proven he is his own man."  To listen to the full interview, click here.

 

MIKE JOYCE
JAZZTIMES
"Given what we’ve long known about his remarkable artistry and output, is it any wonder that Wallace Roney’s latest CD is worth acquiring for its deep soulfulness alone? On this outing the trumpeter delivers the goods upfront, just two tracks into a session brimming with youthful talent and energy..." Read the full review here

TIM NILAND
MUSIC AND MORE
"Overall this album worked very well, the band is tight and obviously very well rehearsed and familiar with the material which is catchy and covers a lot of ground. Mainstream jazz fans should find a lot to like in this release."  Read the full review here.

PHIL FREEMAN
STEREOGUM
“Roney’s muted horn has a sharp, thin sound that stabs at the melody like an ice pick, as Cuffari and Kojo Roney drive him forward with gentle but insistent force.”  Read the full review here.

DEE DEE MCNEIL
MUSICAL MEMOIRS
“Wallace Roney has the tone and beautiful execution on his trumpet that makes me want to bow my head and pray.”  Read the full review here.

STEPHEN GRAHAM
MARLBANK
"Roney has delivered one of his best albums in a long while..." Read the full review here

HRAYR ATTARIAN
CHICAGO JAZZ MAGAZINE
"Blue Dawn – Blue Nights is more than another, uniformly superb, Wallace Roney album. It is also an outlet for his protégés to demonstrate their skills." Read the  full review here

CJ SHEARN
JAZZ VIEWS WITH CJ SHEARN
"Wallace Roney hits it out of the park with this new quintet. The band is one of the best, and tightest he’s had, completely sympathetic to his specific vision of extending musical legacies." Read the full review here

MATT COLLAR
ALL MUSIC

"Wallace Roney's eighth album for the HighNote label, 2019's Blue Dawn-Blue Nights, finds the trumpeter collaborating with a cadre of young lions and balancing dusky after-hours warmth and propulsive post-bop modalism." Editors Choice review here

KEVIN PRESS
ALL ABOUT JAZZ
What's Going On Today - read full interview here

JIM HYNES
GLIDE
From his debut Verses in 1987, Roney has played in every music context available to his expressive trumpet approach. He’s been blessed by the masters and carries on their legacy in his sound. - read full review here