Album: The Dream Is You: Vanessa Rubin Sings Tadd Dameron
Street Date: February 22nd, 2019

For her first solo project in years, the acclaimed vocalist turns her attention to the influential pianist, arranger and composer Tadd Dameron. A fellow Clevelander, Dameron was one of the most revered and distinctive voices in bebop who is often overlooked. With the release of The Dream Is You, the acclaimed vocalist hopes to change that perception and shine a light on one of the most important voices in jazz history. The Dream Is You is the first all-vocal recording of Dameron’s music. For this momentous occasion, Rubin assembled an impressive band of jazz luminaries including pianist John Cowherd, bassist Kenny Davis and drummer Carl Allen with trumpeter Eddie Allen, tenor saxophonist Patience Higgins, alto saxophonist Bruce Williams, trombonist Clifton Anderson and baritone saxophonist Alex Harding. Dameron contemporaries Jimmy Heath, Benny Golson, Frank Foster and Willie Smith, along with Bobby Watson, contributed arrangements.  

Tadd Dameron was one of the most influential musicians of his generation. Well ahead of the curve in the developments in jazz in the 1940s and 1950s, he was a friend and colleague of Kenny Clarke, Dizzy Gillespie and Charlie Parker, and was involved in the formation of the ground-breaking Billy Eckstine Orchestra. His work in the 1940s anticipated developments in jazz in the late 1950s and 1960s. He was also a mentor to many musicians, including Miles Davis, Benny Golson, Billy Paul, Charlie Rouse, and Sarah Vaughan.

Having spent 25 years of her career including Dameron’s music in her touring repertoire, the songstress and storyteller is profoundly interpretive with each lyric on this recording- she tells the story of Tadd Dameron and what he means not only to her, but to the art of jazz. Rubin devoted significant time to unveiling the vast array of Dameron's vocal catalog. She sought the help of institutions like The Institute of Jazz Studies at Rutgers University in Newark, NJ, Juilliard School of Music and Lincoln Center in NYC, researched at The Library of Congress in Washington, D.C. and drew from both his autobiographies. In addition to consulting with her arrangers, veteran musicians knowledgeable of Tadd and his music were also very insightful.  Notable were music publisher and trumpeter Don Sickler, author and tenor player Paul Combs, bassist Bill Lee, alto player Willie Smith from Cleveland and former jazz radio host and drummer Kenny Washington.  "I discovered rare gems and was inspired by Tadd's uncanny ability to write a beautiful melody and wrote words to one of his tunes that had no lyric," said Vanessa.

Each of the arrangements heard on The Dream is You were especially commissioned  for this project. Benny Golson, who penned both forwards in two books about Tadd, also scored the “If You Could See Me Now”, and considered his time riding in Tadd’s car when they were working with “Bull Moose” Jackson his “graduate school”. “Lady Bird”, “Weekend” and “You’re A Joy”  were arranged by Frank Foster, who learned the essentials of arranging by listening to Tadd’s recordings from the late 1940s. Jimmy Heath spent time discussing music with Tadd when he would visit with their mutual friend Doc West. He scored  “On A Misty Night”, where we also enjoy the clever lyric of Georgie Fame on the vocal improv, “Whatever Possess’d Me”, “I Think I’ll Go Away”, and “Reveries Do Come True”, a/k/a “The Dream Is You”. Tadd’s classic “Good Bait” was arranged by Willie “Face” Smith, an old Cleveland friend and colleague who was perhaps the closest to Tadd. The fifth arranger, Bobby Watson, despite coming on the scene after Dameron had passed, provides a lyrical chart of “Never Been In Love” that fits beautifully with the others.

Seven of the songs presented here have lyrics as intended.  The other five have had lyrics added, and in all but one case the original titles give the lyricist a strong suggestion to go by. Included in this second group is Vanessa’s lyric for “The Dream Is You”, which Tadd wrote for a Milt Jackson album, and Vanessa retitled “Reveries Do Come True”. Her title and lyric for this beautiful melody expresses her vision of expanding the vocal library for singers by highlighting Tadd’s music, and hoping for greater awareness of this great American musician’s contribution to our rich musical heritage.

Vanessa Rubin first took the world by storm with Soul Eyes, her 1992 debut for Novus/RCA Records. Vanessa’s output for RCA in the 1990’s was outstanding; she released four more albums for the label including Pastiche (1993), her Carmen McRae tribute I’m Glad There Is You (1994), Vanessa Rubin Sings (1995) and New Horizons (1997). She subsequently released two more albums on Telarc: Language of Love (1999) and Girl Talk (2001). Over the next decade, Rubin maintained an active touring schedule and her live shows garnered major accolades. She ventured into acting with her well-received one woman show “Yesterdays: An Evening With Billie Holiday”, written by Renee Upchurch and directed by Mr. Woodie King Jr. In 2011, she was nominated for a Kevin Klein Award for Outstanding Lead Actress in a Musical. Two years later, Vanessa teamed up with renowned saxophonist Don Braden for Full Circle, released on Braden’s label Creative Perspective Music.

Vanessa Rubin is thrilled to present this deeply personal and historically significant project to the world. “I have been walking with Tadd for many years. And he never let me go,” she said. So many years in the making, The Dream Is You is a landmark recording for Rubin and solidifies her standing as one of the great jazz vocalists of our time.

Press release derived from liner notes written by Paul Combs, author of “Dameronia, the Life and Music of Tadd Dameron.”

 

# # #

RAUL DA GAMA
JAZZ DA GAMA
"Miss Rubin’s presentation of this repertoire is quite remarkable and breathtaking." Read the full review here.

BRUCE CROWTHER
JAZZ JOURNAL
"Rubin has a true, clear vocal sound and she interprets the songs with care and understanding... Hugely enjoyable, this is masterly music from both composer and singer." Full review here

MICHAEL BOURNE
WBGO
"It’s been too many years since Vanessa Rubin came on Singers Unlimited with a new album, and her newest is one of her best."  Read the full feature here.

SCOTT YANOW
LA JAZZ SCENE
"This is a superior tribute that will hopefully result in some of the lesser-known Tadd Dameron songs (including “Weekend,” “Never Been In Love” and “Whatever Possessed Me”) being revived."  Read the full review here.

ANDREW GILBERT
JAZZTIMES  - EDITOR'S PICK
"A fine singer, Rubin has never sounded better than on the ballad "Whatever Possessed Me" and moderately swinging, "I Think I'll Go Away". Read the full feature here.

JEROME WILSON
ALL ABOUT JAZZ
"Rubin's singing is classy throughout, with hints of the subtle swing of Carmen McRae."  Read the full review here.

D. OSCAR GROOMES
O'S PLACE JAZZ NEWSLETTER
"Vanessa Rubin is a polished jazz vocalist and storyteller, a perfect artist to interpret the works of lyricist and composer Tadd Dameron."

GEORGE W. HARRIS
JAZZWEEKLY
Rubin gets brash during “On A Misty Night” and hip as all get out for “Good Bait.” This is a delight!  Read the full review here.

MARTIN JOHNSON
THE WALL STREET JOURNAL
"Ms. Rubin’s voice is leaner than Vaughan’s and McRae’s, but she delivers the lyrics with a smooth storytelling confidence." Read the full review here.

PETER QUINN
JAZZWISE
"...this spotlight on Dameron's beautiful melodic conception is more than welcome." Review here. 

ANDY GILBERT
JAZZ TIMES
"Directed and co-produced by Cecil Bridgewater, the album hits all the right notes, with a thoughtful array of Dameron’s standards and lesser-known works arranged for a talent-laden octet." Review here

MATTHIAS KIRSCH
GINA LOVES JAZZ
"Kudos to Vanessa Rubin for putting the focus on Mr. Dameron and for coming up with the first ever tribute album to this amazing musician and composer." Full review here

KERILIE MCDOWALL
DOWNBEAT
"Rubin’s scat choruses over “Lady Bird” features the deep sonorities of her vocal range, accentuated by the ensemble. Completely immersed, she transcends the music, allowing Dameron’s sophisticated wit to take prominence."  Read the full review here.

GEORGE GRELLA
NEW YORK CITY JAZZ RECORD
"...her intonation and musicianship are as precise and excellent as ever. She's terrific at at gathering an agile energy and spring from the beat.." Read the full review here.

DEE DEE MCNEIL
MUSICAL MEMOIRS
"Vanessa Rubin’s voice swings and swoops like a happy dove. The horns are complimentary and lush. She sings along with them, becoming a sweet vocal horn." Read the full review here.

ERIC WENDELL
HOT HOUSE
"Vocalist Vanessa Rubin’s venerable tone sashays and saunters as much as it glides and strides. Vanessa’s style and phrasing is a beautiful patchwork of jazz, soul and Motown-era pop that excites and entices." Read the full review here.

C. MICHAEL BAILEY
ALL ABOUT JAZZ
"Rubin's voice is beautifully studied in these performances. Her affinity for Dameron and inclusion of his music in her performance book are both amply evident... 2019 is already looking up for jazz vocals." Full review here

DAN POLLETTA
WCPN
"Vanessa Rubin Makes Jazz Composer Tadd Dameron Sing." Check out the full feature here.

LEONARD WEINREICH
LONDON JAZZ NEWS
"A pleasant and often fascinating album." Read the full review here.

STEVE PROVIZER
THE ARTS FUSE
"If you know Dameron’s work, it will be enticing to hear how his tunes have been treated. If you don’t, it will be an introduction to music created by an important member of a cohort of under-appreciated jazz arrangers and composers." Full review here. 

DAVE ROGERS
WTJU
"Rubin is a wonderful vocalist and wherever Dameron is, I’m sure he has a huge smile on his face." Read the full review here.

BRENDA NELSON-STRAUSS
BLACK GROOVES
"This is another solid performance by Rubin, with excellent backing by John Cowherd (piano), Kenny Davis (bass), and Carl Allen (drums)"  Read the full review here.

LEONID AUSKERN
JAZZ QUAD
"Vanessa Rubin is true to the jazz tradition and does not hide it.
She follows in the footsteps of the great trinity of vocal jazz - Fitzgerald, Vaughan, Holiday." Read the full Russian review here.

GEORGE W. HARRIS
JAZZWEEKLY
"Rubin gets brash during “On A Misty Night” and hip as all get out for “Good Bait.” This is a delight!"  Read the full review here.

MARC MYERS
JAZZWAX
"Delivering songs with beautiful intonation and phrasing, Rubin has the perfect voice for Dameron's work" Read the full review here.